Apogee DAX Crossover Reviewed
- By: Ken Kessler
- - Reviewer's System
- Resources & Links:
- View Ken Kessler's Reviews
- February 13, 1989
Two types of add-ons are immune to the antipathy caused by such
'evils' as graphic equalizers or click suppressors. Most diehards
will forgive/approve of dedicated extras of any type because they
can be regarded as extensions of the basic components rather than
as sonic intruders. The other 'okay' black box is the more
sophisticated, usually external crossover system which allows the
user to bi-amplify his or her speakers. As the latter most often
tends to be the former, you can assume that most hi-fi casualties
approve of dedicated crossover systems with even greater vigour
than they'd show for 'universal' crossovers.
After a flurry of activity a decade ago, when 'active' and
'bi-amping' were hot buzzwords, the hi-fi community reverted to
the simpler, less costly path of conventional or single-amplifier
operation, partly because of a growth in popularity for
bi-wiring. Virtually a halfway house between the amp-per-driver
luxury of bi-amplification and the mundane operation of
conventional wiring, bi-wiring swept the industry in the best
trickle-down manner; it's now found on quite inexpensive two-way
box speakers. Among the champions of bi-wiring was Apogee, whose
complex full-range ribbon systems benefitted immeasurably from
the technique. It also served as a respectable compromise for
Apogee owners who couldn't afford a second high-current amplifier
and outboard crossover for true bi-amplification.
Although a number of companies, like Audio Research and Krell,
produce active outboard crossovers of a universal nature, the
design team at Apogee accepted the premise that the best
crossover is dedicated to the speaker with which it will be used.
Even the easy-to-access specifications of crossover points and
slopes will not guarantee a perfect match, and simply setting a
universal active crossover network to suit a speaker with, for
example, a 6dB per octave slope at 2kHz won't necessarily result
in the ideal pairing. Apogee felt that good as some of the
currently available crossovers may be, they cannot optimize a
system unless they've been designed specifically for that system.
In addition to offering attenuation of up to 6dB in 1dB steps for
the woofer and the mid/tweeter, the company's DAX (Dedicated
Active Crossover) allows the user to adjust the balance between
woofer and mid/tweeter in 0.2dB steps and to adjust the 'rake
angle', a sort of 'hinge' in the tonal balance which tips the
midrange above 1kHz in +/-0.5dB steps at around 5kHz. The DAX
also provides facilities to match the crossover to the amplifiers
for input impedance loading, gain characteristics (for using
different amplifiers top and bottom) and for using single-ended
or balanced operation. Because of the way the various DAX
controls interact, the unit can vary the group delay, important
when sculpturing the gain vs. phase relationship -- and one aspect
of DAX-equipped Apogees is near-perfect phase response.
By addressing both the requirements of only three specific
loudspeakers (you order your DAX preset for Caliper Signature,
Duetta Signature or Diva) and allowing for matching to any
amplifier, the DAX provides what amounts to total control for
biamplifying their speakers. This in turn enables the listener to
tailor the sound for both the electronics and the listening
environment, beyond the obvious tweaking one can perform by
speaker positioning, cable selection and wholesale changes of
hardware. In the case of the Diva, the DAX takes over from the
passive box with its four toggles for boost or attenuation at
four frequencies, but the switch for the tweeter on the passive
box remains operable. This is because the DAX is a two-way
crossover while the Diva is a three-way system. The DAX sees the
tweeter and midrange as one section; the toggle on the passive
box allows the user to cut or boost the tweeter by 2dB in
addition to shaping the operation via the DAX.
The Diva's passive box therefore takes on a different role and no
less than three-and-a-half pages of the owner's manual deal with
converting it for use between the DAX and the Diva. You don't
have to worry about this because your dealer will undertake the
conversion, which involves replacement parts supplied with the
DAX and the bypassing of much of the passive enclosure's innards;
remember, the bulk of its functions are now controlled by the
DAX. Still, if you enjoy spending a couple of hours inside a nest
of wires, be my guest. With the Duetta, instructions are also
supplied for user conversion, but the Caliper must be modified by
the dealer.
Speaker conversion aside, the actual installation is a doddle if
you've ordered your DAX correctly. I asked for a version set up
for using single-ended amplifiers, the same top and bottom (two
Aragon 4004s), but even if I decide to change, the manual covers
the range of adjustments which are accessed via dip switches
inside the DAX. If you want to mix amplifiers, you'll have to
know the gain characteristics, while choosing between balanced
and single-ended operation merely involves flicking the toggles
to the left or the right. As for input impedance matching, the
DAX arrives in standard form with 80k ohms preset for
single-ended operation or 10k ohms for balanced. Four other
values are available for either mode. (See specifications below.)
The DAX slips into the system just where you'd expect it to,
between the preamplifier and the power amps. I ran the Audio
Research SP-9 into the DAX and the DAX into the Aragons via
Master Link cables, with Lieder speaker leads connecting the
amplifiers to the modified passive boxes. The gold RCA sockets on
the back of the DAX are clearly marked, the rear split into left
and right halves, so feeding the four signals from the DAX is no
more confusing than wiring up a conventional stereo set-up.
The DAX itself is one of the most attractive pieces of high-tech
hardware I've ever seen. Apogee has come up with a satin black
finish which screams of luxury, visual confirmation that this is
one high-priced goodie. The fascia is split into three sections,
the left and right thirds containing four rotary controls each
while the centre consists of what might be the most useful
display yet to grace a hi-fi component. Left-to-right, the groups
of knobs include woofer attenuation, woofer-mid/tweeter balance,
mid/tweeter attenuation and rake, with separate knobs for each
channel. The Hewlett-Packard display, glowing a fetching green
(which must be this year's colour as the Aragons, the SP-9 and
the CAL Tempest II power supply also glow green), gives you
digital read-outs of every setting, again separated into left and
right. With this bank of controls and the digital confirmation,
it's possible to set up the system for sonically asymmetric rooms
using test tone generators and spectrum analyzers, or you can (as
you'll see) use it to compensate for recordings with any previous
settings being easy to note. Power to the DAX is via an outboard
unit a third the size of the DAX. This houses the on/off switch
and a front-panel LED; it connects to the DAX with a locking
cannon plug.
Apogee presupposes that its customers know what they want to
hear, so instructions for setting the controls amount to little
more than doing it by ear. I did manage to find out how Apogee's
Jason Bloom approaches the problem each time he sets up a DAX and
his advice means less to-ing and fro-ing. Future DAX owners, take
note:
1) Adjust the mid/tweeter attenuator, which is another way of
asking yourself, 'Do I need to cut the upper frequencies?' (In
the unlikely event that you need to boost those frequencies,
there's still the toggle on the passive box.)
2) Adjust the balance between the woofer and the mid/tweeter.
This maneuver attenuates either portion in 0.2dB steps. You
won't believe it until you hear it, but this operation is audible
enough to change the character of the system from
forward-sounding to muted, despite the seemingly limited
operating range. And only a deaf person or a reactionary/liar
would deny the audibility of a change of even one step.
3) Adjust rake angle. By tipping the response up or down in 0.5dB
steps, it's possible to compensate for brightness or dullness
without any loss of information or frequency extension. I've a
feeling that owners of Quad electronics will find this not a
little familiar.
4) Adjust woofer attenuation. This is especially useful for those
who would have Apogees in small rooms. (No, there's no woofer
boost because it's unlikely that anyone would ever need it. And
if they do, they can always go back to steps 2 and 3.)
But here's where it gets bizarre. Word had reached me that the
DAX, even with everything at '0', improved the performance of the
Divas beyond the gains that you'd expect from mere biamping. That
struck me as odd until I accepted that the DAX -- two amplifiers
instead of one notwithstanding -- is a vastly more sophisticated
crossover than the passive box supplied as standard. And not only
does it do a better job of signal splitting, the DAX also
optimizes the interface between amplifier and speaker, allowing
the amplifiers to see a trouble-free resistive load instead of
the complex impedance of passive-crossover'd Divas. But the
reason it bothered me is because I preferred the DAX at '0' on
four out of five recordings. Like most of you, I refuse to
believe my good fortune when I find that my system and/or room
needs no help.
And so it came time to play...
Here's where I usually go crazy and tax Roget to the limits. It's
also the point where I regret that specialist magazines haven't
taken note of what's going with graphic novels, because I sure
could do with some help from the likes of Alan Moore. Picture a
frame-by-frame EC-type cartoon of KK, saliva dripping down his
stubble'd chin, eyes wide and nearly touching his Zeiss lenses.
The hair -- what's left of it -- is up on end and a balloon from
KK's mouth reads 'YAAARGH!' or some such exclamation. Yeah, the
DAX is like that. If this wasn't a family magazine, I could
really go to town, but it is so I can't and besides, Editor
Harris prefers to have contributors of sluggish pulse.
Well, THAT'S TOO DAMNED BAD!!! The DAX is simply the niftiest
little marvel I've ever used, a jolt of steroids which boosted a
system that I thought could only be improved by tiny increments.
It is to the Diva what spinach is to Popeye. And it's Kryptonite
to everyone else.
Listen: When I set up the DAX, I was also playing host to
somebody who has no reasons for wishing success on this product.
I won't embarrass him by revealing his name; all I'll say is that
he's from the competition. Anyway, we put on some serious music
-- Billy Cotton's Wakey Wakey Show and George Melly on C5 Records
-- and he just looked at me, uttering a British expletive which
rhymes with 'buckshee' and grinning from ear to ear. We fiddled
with the knobs, cranked up the volume, dug out some naff mono CDs
of ultra-thin-sounding British pop from the 1960s. We rocked. And
we heard the Kinks' 'Waterloo Sunset' like it's never been heard
before.
What the DAX does is turn the Diva from a simply magnificent
speaker system into some kind of limitless performer which
virtually defies criticism. Auditioning the system with music of
utter familiarity, I was embarrassed at how much more the Diva
could offer. And the areas which benefitted most were areas which
I didn't think need any improvement.
The most blatant manifestation of the DAX is the way it allows
the Diva to present deep bass notes. I admit that, on occasion,
the Diva can sound a bit overwhelming, with bass which thunders
and roars. Suitably DAX'd, the Diva's extension remains constant
but the bottom octaves acquire a sensation of greater control.
That's with everything set at '0'. You want to tighten things up
even more or recess the midband for reggae or House at the max, a
touch of the controls will shift the balance to suit your tastes.
Equally chilling are the gains in soundstage creation, image
placement and specificity. The Diva, sans DAX, is simply one of
the best imagemakers I've used; the DAX opens the sound and
removes and last vestiges of texture to the silences between
instruments and players. What the controls do is allow you to
dial in the most realistic stage depth in a manner not unlike
that of the control unit for the Infinity IRS Betas.
And the more you learn about the controls and their capabilities,
the more they take on the nature of a focussing ring on a camera
lens. What they do is nudge the sound one way or the other in
tiny, repeatable steps and without any sense of added noise.
But here's where I find myself at cross purposes with the whole
concept of active crossovers. Until the DAX arrived, I thought of
trick crossovers as a way of optimising the speaker, something to
set once and leave alone. Because I reviewed the system with such
a wide range of material, from LP transfers of 78s from 1926 to
too-hot-to-handle club mixes to purists' delights, I found myself
using the DAX to compensate for the recordings rather than the
hardware or the room.
The DAX is ghostly quiet and absolutely precise in everything it
does. Although it doesn't have an instant bypass mode to allow
the user to compare settings in A/B fashion, the digital readout
means that you can tweak something and return to a previous
setting for comparison purposes with absolute accuracy. Starting
each LP or CD with the readings at '0', I then altered the sound
as per the above-mentioned steps. After a few hours, I was able
to ignore the four-step procedure and go straight to, say,
woofer-mid/tweeter balance or rake if I knew that the other
controls didn't need adjusting. Judicious use would suppress
ludicrous sibilance (some Juice Newton and Poco recordings) or
restore weight to thin recordings (most Beat Boom UK pop).
What I don't want to do is give the impression that the DAX works
like a dream-world equalizer or even like the rather splendid
Cello Palette. The effects are most assuredly audible, even those
0.2dB changes, but the adjustments to the sound are too subtle
and too precise to suggest any gross tampering. What it becomes,
then, for an Apogee owner is the ultimate surgical instrument.
Which leads me to the two questions I asked Apogee. The first is
whether or not they'd be offering it with remote control, because
it sure would be handy to be able to adjust it from the listening
position. They have thought about it, but the price -- already
breathtaking at #4500 -- would have to go even higher and they're
not certain the demand is enough to warrant the option; call it a
'maybe'. The other question is whether or not Apogee would
consider making a version for use with other makes of speaker,
but -- in line with their arguments about the need for absolute
dedication ot each model -- this would be too impractical and
probably too much hassle in simple political terms.
So that means that this joyous device is only available to Apogee
owners. All I can say to those who possess Duettas, Calipers or
Divas is that you must forget about everything else in your
upgrade progression and put the DAX at the top of the list. And
here's a justification if you need it:
In the year I've been using the Divas, I've tried them with
single amplifiers (in bi-wired mode) running to over #10,000 per
pair. The DAX offers such a transformation with even the
affordable Aragons that two Aragons plus DAX at a grand total of
#8100 is preferable to any other non-DAX combo I can name. What I
have yet to experience are the gains of going to balanced
operation, and I still want to try the mix'n'match flexibility,
especially as the DAX renders the system 3dB more efficient and
therefore even safer with big valve amplifiers. As it stands, the
DAX is nothing less than the most exciting development yet for
Apogee owners, a device so clever that I wish other manufacturers
would offer similar units for their bi-ampable speakers. #4.5k
for a black box? Yes. And it's worth ever single penny.
Keywords
Apogee, Jason Bloom, Apogee Crossover review, audiophile crossovers, crossover system reviews
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- Grado RS-1 Reference Series Hea...
- Grado SR40 Headphones Reviewed...
- Grado SR80i Dynamic Headphones ...
- Grado Statement Reference Cartr...
- Graff GM 200 Amplifier Reviewed...
- Graff GM50B Integrated Amp Revi...
- Grand Prix Audio Monaco Rack Re...
- Gryphon Audiophile Preamp Revie...
- Gryphon Callisto 2200 Integrate...
- Gryphon Callisto 2200 Integrate...
- Gryphon Competition Isolation D...
- Gryphon DM100 Dual Mono Amplifi...
- Gryphon Limited Edition Preamp ...
- HP Pavilion md5880n Media Serve...
- HR10-250 DirectTV HD Tivo DVR R...
- Halcro EC800 Universal Disc Pla...
- Halcro Logic MC70 Seven-Channel...
- Halcro SSP220 AV Preamplifier R...
- Halcro dm38 Stereo Power Amplif...
- Halcro dm58 Monoblock Amp Revie...
- Harman Kardon AVR 154 AV Receiv...
- Harman Kardon AVR 325 AV Receiv...
- Harman Kardon AVR 354 A/V Recei...
- Harman Kardon BDP 1 Blu-ray Pla...
- Harman Kardon DVD 101 Reviewed...
- Harman Kardon DVD 25 Reviewed...
- Harman Kardon DVD50 DVD Player ...
- Harman Kardon HK 3390 Stereo Re...
- Harman Kardon HK 3490 Stereo Re...
- Harman Kardon Take Control TC 3...
- Harmony 1000 Universal Remote C...
- Harmony 550 Universal Remote Co...
- Harmony 670 Universal Remote Co...
- Harmony 880 Universal Remote Co...
- Harmony 890 Universal Remote Co...
- Harmony One Universal Remote Co...
- Harmony RF Wireless Extender Re...
- Headroom Total Bithead Headphon...
- High Resolution Technologies Mu...
- Hisense TA42P40M 42-inch Plasma...
- Hitachi 42HDX61 Director's Seri...
- Hitachi P50T501 Plasma HDTV Rev...
- Hitachi P60X901 Plasma HDTV Rev...
- Hitachi UT42X902 UltraThin 1.5 ...
- Home Theater Review 2009 Best o...
- Humax DRT800 DVD Recorder with ...
- InFocus ScreenPlay 61md1 Ultra-...
- Indigo Stage One Bookshelf Spea...
- Infinity Cascade Model Fifteen ...
- Infinity Cascade Model Five Lou...
- Infinity Cascade Model Nine Lou...
- Infinity Cascade Speake Reviewe...
- Infinity Classia C205 Bookshelf...
- Infinity Classia Series C336 Lo...
- Infinity Entra Reviewed...
- Infinity Kappa Series and Inter...
- Infinity PSW310W Wireless Subwo...
- Infinity Primus P142 Bookshelf ...
- Infinity Primus P162 Loudspeake...
- Infinity TSS-750 Home Cinema Sy...
- Insignia NS-BDLIVE01 Blu-ray Pl...
- Insignia NS-BRDVD Blu-ray Playe...
- Integra DBS-6.9 Blu-Ray Player ...
- Integra DTC 9.8 Home Theater Pr...
- Integra DTR-8.8 7.1-Channel Rec...
- Integra NAS-2.6 Network Audio S...
- Integra Research RDC-7 AV Pream...
- Isotek Substation AC Power Comp...
- JBL Control NOW Loudspeaker Rev...
- JBL ES20BK Bookshelf Loudspeake...
- JBL ES90 Loudspeakers Reviewed...
- JBL L1 Bookshelf Speakers Revie...
- JBL Northridge E Series 24A WII...
- JBL On Air Control 2.4G Wireles...
- JBL Project Array 1400 Array Lo...
- JBL Project Everest DD66000 Lou...
- JBL SCS160SI Home Speaker Syste...
- JBL SCS300.7 Surround Cinema Sp...
- JBL Studio L L820 On-wall Louds...
- JBL Studio L Series L830 Booksh...
- JBL Studio L Series L890 Floors...
- JBL WEM-1 Wireless Expansion Mo...
- JBL XPL 90 Loudspeakers Reviewe...
- JL Audio Fathom f112 Subwoofer ...
- JL Audio Gotham Subwoofer Revie...
- JL Audio XR650-CSI Component Sp...
- JM Labs Micron Carat Speakers R...
- JM Labs SIB & CUB 5.1 Speaker S...
- JVC DLA-HD100 1080P 3-Chip D-IL...
- JVC DLA-RS2 D-ILA Front Video ...
- JVC HR-XVC25U D-VHS Deck Review...
- JVC LT-26X575 LCD HDTV Reviewed...
- JVC LT-42P789 LCD HDTV Reviewed...
- JVC LT-42X899 42-Inch LCD HDTV ...
- JVC LT-46J300 LCD HDTV Reviewed...
- JVC XL-FA900 DVD Changer Review...
- JVC XV-BP1 Blu-ray Player Revie...
- JVC XV-BP11 Blu-Ray Player Revi...
- Jadis JPS8 Preamp and JA50 Powe...
- Jolida JD100A & Talk Saxon CD70...
- KEF KHT 5005.2 Wireless Speaker...
- KEF Muon Floorstanding Loudspea...
- KEF Q-Series Speaker System Rev...
- KEF Reference 203 Speakers Revi...
- KEF Reference 205/201/202C and ...
- KEF XQ Series and psw3500 Louds...
- Kaleidescape Mini System Music ...
- Kaleidescape Movie Server Syste...
- Kenwood Sovereign DV-5700 DVD P...
- Klipsch Heresy Loudspeakers Rev...
- Klipsch Icon WB-14 Bookshelf Lo...
- Klipsch RB-61 Bookshelf Loudspe...
- Klipsch RF-52 Floorstanding Lou...
- Klipsch Synergy B-2 Bookshelf L...
- Klipsch Synergy B-3 Bookshelf L...
- Klipsch Synergy Series SLX/SUB-...
- Klipsch VB-15 Bookshelf Loudspe...
- Klipsch XB-10 Bookshelf Loudspe...
- Koetsu Urushi Black Cartridge R...
- Krell DVD Standard DVD-Video Pl...
- Krell Evolution 202 Stereo Prea...
- Krell Evolution 222 Preamplifie...
- Krell Evolution 403 Amplifier R...
- Krell Evolution 505 CD/SACD Pla...
- Krell Evolution 600 Mono Power ...
- Krell Evolution 900 Monaural Po...
- Krell FBI Integrated Amplifier ...
- Krell HTS 7.1 AV Preamp Reviewe...
- Krell KAV-250a and KAV-250p Rev...
- Krell KAV-280cd player, KAV-300...
- Krell KAV-300i Integrated Amp r...
- Krell KAV-400xi Integrated Ampl...
- Krell MD-20 CD Transport, Krell...
- Krell Showcase AV Preamp and 7 ...
- Krell Theater Amplifier Standar...
- LG 47LBX LCD HDTV Reviewed...
- LG 47LH40 LCD HDTV Reviewed...
- LG 50PY3D Plasma HDTV Reviewed...
- LG 55LH90 LED HDTV Reviewed...
- LG 60PG60 Plasma HDTV Reviewed...
- LG BD300 Blu-ray Player With Ne...
- LG BD390 Blu-ray Player Reviewe...
- LG LST-3510A HDTV Tuner and DVD...
- LG LST-3510A HDTV Tuner and DVD...
- LOTH-X ION BS1 Loudspeaker Revi...
- Lecson Quattra Integrated Amp R...
- Lexicon BD-30 Universal Blu-ray...
- Lexicon DC1 AV Preamp Reviewed...
- Lexicon MC-1 AV Preamp Reviewed...
- Lexicon MC-12 HD Music & Cinema...
- Linaeum LFX Speakers Reviewed...
- Linn CD 12 Compact Disc Player ...
- Linn Classik Movie System with ...
- Linn LP12 Turntable Reviewed...
- Logitech Duet Network Music Ser...
- Logitech Transporter Music Serv...
- Logitech Z-2300 2.1 Desktop Spe...
- London Super Gold Cartridge Rev...
- Loth-X Ino Amaze Loudspeakers R...
- Lyngdorf CD-1 Player Reviewed...
- MB Quart Vera Series Speaker En...
- MBL 101 Loudspeakers Reviewed...
- MTD TUG Speakers Reviewed...
- Magnepan MG 3.6 Planar-Magnetic...
- Magnepan MMG Floor-Standing Spe...
- Magnepan MMGW Multi-Channel Pla...
- Maplenoll Turntable Reviewed...
- Mapleshade Samson V.1 Equipment...
- Mapleshade Time-Correcting Mapl...
- Marantz AV8003 AV Preamplifier ...
- Marantz BD5004 Blu-ray Player R...
- Marantz BD7003 Blu-ray Player R...
- Marantz BD8002 Blu-ray Player R...
- Marantz CD-11 SE Compact Disc P...
- Marantz CD-16 CD Player Reviewe...
- Marantz CD-63II K.I. Signature ...
- Marantz CD52 MK IISE Reviewed...
- Marantz DV8400 DVI-Enabled Univ...
- Marantz IS301 iPod Dock Reviewe...
- Marantz Model 7 Reviewed...
- Marantz P5040D Plasma Monitor R...
- Marantz PM-17 Preamp Reviewed...
- Marantz PM-KI-Pearl Integrated ...
- Marantz PM5003 Integrated Ampli...
- Marantz PM54 SE Integrated Ampl...
- Marantz SA-11S1 SACD Player Rev...
- Marantz SA-15S1 SACD Player Rev...
- Marantz SA-KI-Pearl SACD Player...
- Marantz SC-7S1 Preamp and MA-9S...
- Marantz SR 6004 AV Receiver Rev...
- Marantz SR5003 AV Receiver Revi...
- Marantz SR6003 A/V Receiver Rev...
- Marantz SR8002 7.1-Channel Rece...
- Marantz TT15SI Reference Series...
- Marantz UD9004 Blu-ray Player R...
- Marantz UD9004 Universal Disc P...
- Marantz VP-11S2 DLP Front Proje...
- Marantz VP-15S1 1080p HDTV Proj...
- Mark Levinson No. 30 Digital to...
- Mark Levinson No. 326S Preamp R...
- Mark Levinson No. 433 Triple Mo...
- Mark Levinson No. 436 Monaural ...
- Mark Levinson No. 502 AV Preamp...
- Mark Levinson No. 53 Monaural P...
- MartinLogan CLX Electrostatic L...
- MartinLogan Depth i Subwoofer R...
- MartinLogan Descent i Subwoofer...
- MartinLogan Descent i Subwoofer...
- MartinLogan Purity Hybrid Elect...
- MartinLogan Script, Scenarios a...
- MartinLogan Spire Hybrid Electr...
- MartinLogan Summit Loudspeakers...
- MartinLogan Theater and Ascent ...
- MartinLogan Vantage Hybrid Elec...
- MartinLogan Vista Hybrid Electr...
- McIntosh C2200 Amp Reviewed...
- McIntosh Laboratories C-220 Ste...
- McIntosh Laboratories MX-136 AV...
- McIntosh MA6900 Integrated Amp ...
- McIntosh MC 275 Power Amp Revie...
- McIntosh MC2000 Power Amp Revie...
- McIntosh MC275 Stereo Power Amp...
- McIntosh MC501 Monaural Power A...
- McIntosh MVP851 DVD Player Revi...
- McIntosh MX-120 AV Preamp Revie...
- Melody SP3 Amplifier Reviewed...
- Memorex MVBD2510 Blu-Ray Player...
- Meracus Imago CD Transport Revi...
- Meridian 300 Series In-Wall Lou...
- Meridian 586.2 DVD Player Revie...
- Meridian 800 Reference DVD-Vide...
- Meridian 810 Reference Video Sy...
- Meridian 861 Version 4 AV Pream...
- Meridian DSP5200 Digital Active...
- Meridian DSP8000 Digital Active...
- Meridian G95 Surround Receiver ...
- Meridian G98 CD, DVD, DVD-Audio...
- Metaxas Opulence Preamp and Sol...
- Metaxas Solitaire Power Amp and...
- Meyer Sound X-10 Powered Loudsp...
- Middle Atlantic AXS Pull-out Eq...
- Mimetism CD 20.1 CD Player Revi...
- Mirage OMNISAT 6 Speakers Revie...
- Mirage Omnisat Micro Loudspeake...
- Mitsubishi DD-8030 DVD Player R...
- Mitsubishi Diamond Series HC680...
- Mitsubishi Diamond Series LT-46...
- Mitsubishi Diamond Unisen LT-46...
- Mitsubishi HC3000U Home Theater...
- Mitsubishi HC5500 1080P 3-Chip ...
- Mitsubishi LT-46149 LCD HDTV Re...
- Mitsubishi LT-52246 LCD HDTV Re...
- Monitor Audio Bronze Series Lou...
- Monitor Audio Monitor One Louds...
- Monitor Audio Reference 1200 "G...
- Monitor Audio Silver RS6 Loudsp...
- Monitor Audio Studio 10 Loudspe...
- Monster AVL300 Universal Remote...
- Monster AVS 2000 Home Theater V...
- Monster Cable Beats by Dr. Dre ...
- Monster HTPS 7000 MKII PowerSou...
- Monster HTPS 7000 Reviewed...
- Monster Power Powercenter TS 51...
- Monster Signature Series Automa...
- Morel Vario On-Wall Speakers Re...
- Music & Sound's DCC-1 Digital C...
- Musical Fidelity 3D Compact Dis...
- Musical Fidelity F-Series Power...
- Musical Fidelity HTP/HT6000 AV ...
- Musical Fidelity Nu-Vista 300 P...
- Musical Fidelity Nu-Vista M3 In...
- Musical Fidelity Nu-Vista Pream...
- Musical Fidelity Supercharger 5...
- Musical Fidelity Tri-Vista 300 ...
- Musical Fidelity X-Ray Integrat...
- Musical Fidelity kW 25 CD Playe...
- Musical Fidelity kW750 Preamp R...
- NAD C 725BEE Stereo Receiver Re...
- NAD C315BEE Stereo Integrated A...
- NAD C325BEE Stereo Integrated A...
- NAD C545BEE CD Player Reviewed...
- NAD Electronics T-975 Seven-Cha...
- NAD L-70 DVD/CD Surround Sound ...
- NAD Masters Series M25 Seven-Ch...
- NAD PP-2 Phono Preamp Reviewed...
- NAD T 557 Blu-ray Player Review...
- NAD T 747 AV Receiver Reviewed...
- NAD T752 A/V Receiver Reviewed...
- NAD T763 A/V Surround Sound Rec...
- NAD T785 A/V Surround Sound Rec...
- NEC HT1100 Digital Front Projec...
- NEC ND-3500A DVD Recorder Revie...
- NEC ND-3500A DVD Recorder Revie...
- NEPTUNE AUDIO neptuneEQ Reviewe...
- NVA AP10 Integrated Amp Review...
- NVA AP50 Amp Reviewed...
- Nagra PL-L Preamp and PMA Mono ...
- Nagra VPA Amplifier Reviewed...
- Nakamichi AV-10 Home Theater (A...
- Nakamichi DVD-10 DVD Player Rev...
- Niles IW770FX In-Wall Loudspeak...
- Niro (Nakamichi) 1000 Integrate...
- Niro 1.1 Pro Speaker System Rev...
- Niroson Two 6.1 Speaker System ...
- Niveus Media Center PC, Rainier...
- Niveus Media Rainier Edition 50...
- Nola Viper Reference II Loudspe...
- NuForce Icon / S1 Amplifier Rev...
- NuForce Reference 9 V2 Special ...
- NuVision NVU42FX5 LCD HDTV Revi...
- Okoro OMS-LX100 Media Center PC...
- Olevia 30-inch LCD HDTV Reviewe...
- Olevia 747i LCD HDTV Reviewed...
- Olevia LT32HV 32 inch LCD HDTV ...
- OmniMount Elements Series A/V S...
- OmniMount Link Series A/V Stand...
- OmniMount Morello Series A/V St...
- OmniMount OmniLite TV Mounts Re...
- OmniMount VideoBasics TV Mounts...
- OmniMount omnimount TV Mount Re...
- Onkyo DV-BD507 Blu-Ray Player R...
- Onkyo DV-SP800 Universal Player...
- Onkyo TX-NR906 Receiver Reviewe...
- Onkyo TX-SR575 Multi-channel Ho...
- Onkyo TX-SR700 AV Receiver Revi...
- Onkyo TX-SR706 THX Certified Se...
- Onkyo TX-SR805 Multi-channel Ho...
- Opera Callas Speakers Reviewed...
- Opera Platea Loudspeakers Revie...
- Oppo BDP-83 Special Edition Uni...
- Oppo Digital BDP-83 Universal P...
- Optoma H78DC3 Front Projector R...
- Optoma HD 806 1080P 1-Chip DLP ...
- Optoma HD20 Projector Reviewed...
- Oracle DAC 1000/CD 2500 CD Tran...
- Oracle Delphi III Audiophile Tu...
- Oracle Delphi Mark VI Turntable...
- Orb Audio Mod4 Custom Home Thea...
- Orb Audio Mod4 Home Theater Spe...
- Orchid Two Deep Resolution Loud...
- Outlaw Audio 7200 7-Channel Pow...
- Outlaw Audio BLS Bookshelf Loud...
- Outlaw Audio ECS-10 Subwoofer R...
- Outlaw Audio LCR Loudspeaker Re...
- Outlaw Audio LFM-1 EX Subwoofer...
- Outlaw Audio LFM-1 Subwoofer Re...
- Outlaw Audio Model 7500 Multi-C...
- Outlaw Audio Model 950 Preamp/P...
- Outlaw Audio RR2150 Stereo Rece...
- PMC DB1+ Floorstanding Loudspea...
- PS Audio Juice Bar II Reviewed...
- PS Audio Power Plant Premier Re...
- PSB Image T55 Speaker Reviews...
- PSB Imagine B Bookshelf Loudspe...
- PSB Imagine T Loudspeaker Revie...
- Panamax M1500-UPS-PFP Uninterru...
- Panamax M5400-PM AC Power Condi...
- Panamax Max5510 AC Regenerator ...
- Panasonic DMP-BD30 Blu-ray Play...
- Panasonic DMP-BD35 Blu-ray Play...
- Panasonic DMP-BD50 Blu-ray Play...
- Panasonic DMP-BD55 Blu-ray Play...
- Panasonic DMP-BD60 Blu-ray Play...
- Panasonic DMP-BD80 Blu-ray Play...
- Panasonic DMR-E80H Hard Disk/DV...
- Panasonic DMR-HS2 DVD-R Reviewe...
- Panasonic DVD-RV32 DVD Player R...
- Panasonic PT-AE2000U 1080P 3-Ch...
- Panasonic TC-P46G10 Plasma HDTV...
- Panasonic TC-P46G10 Plasma HDTV...
- Panasonic TC-P50S1 Plasma HDTV ...
- Panasonic TH-37PWD4UZ HDTV Revi...
- Panasonic TH-42PZ700U HDTV Plas...
- Panasonic TH-50PZ800U Plasma HD...
- Panasonic TH-50PZ850U Plasma HD...
- Panasonic TH-58PZ750U Plasma HD...
- Paradigm AMS-350 In-Wall Speake...
- Paradigm Atom Monitor V.5 Speak...
- Paradigm CS-60R-30 In-Ceiling L...
- Paradigm CS-LCR In Wall Loudspe...
- Paradigm Cinema 330 On-Wall Spe...
- Paradigm Mini Monitor V.5 Louds...
- Paradigm Monitor 7 Floorstandin...
- Paradigm Phantom Speakers Revie...
- Paradigm Reference Studio 100v4...
- Paradigm Reference Studio 20 v....
- Paradigm SIG-LCR 5 In-Wall Spea...
- Paradigm Servo 15v2 Subwoofer R...
- Paradigm Signature S8 v.2 Louds...
- Paradigm Signature SUB 25 Revie...
- Paradigm Signature Series 5.1 S...
- Paradigm Signature W5 On-Wall L...
- Paradigm Studio 100 5.1 Speaker...
- Parasound 5250 Five Channel Pow...
- Parasound A51 Five Channel Powe...
- Parasound Halo A52 Five Channel...
- Parasound Halo C 2 Surround Pro...
- Parasound Halo JC 1 Monaural Am...
- Parasound Halo JC 2 Preamplifie...
- Parasound Halo P3 Stereo Preamp...
- Parasound P7 7.1 Channel Analog...
- Parker Audio 95MK II Loudspeake...
- Parnassus Cartridge Reviewed...
- Pathos Endorphin CD Player Revi...
- Pathos Logos Loudspeaker Review...
- Pathos Twin Tower Amps Reviewed...
- Phase Technology CI-Series In-W...
- Phase Technology Velocity V-10 ...
- Philips 42 Inch Ambilight Plasm...
- Philips 42 Inch Ambilight Plasm...
- Philips 50FD9955 50 Inch Plasma...
- Philips BDP7200 Blu-ray Player ...
- Philips DVD-962SA Reviewed ...
- Philips DVD750VR Reviewed...
- Philips DVD793C 5-Disc Changer/...
- Philips DVD793C 5-Disc Changer/...
- Philips DVD963SA DVD Player Rev...
- Philips DVDR80 DVD+RW Recorder ...
- Philips DVDR985 DVD Recorder Re...
- Philips HTS8100 Sound Bar Revie...
- Philips Pronto TSU9300 Programm...
- Philips Pronto TSU9400 Universa...
- Philips TSU500 Prontoneo Univer...
- Piano Avanti HE-3200 DLP Projec...
- Pink Triangle Inergral Integrat...
- Pioneer BDP-320 Blu-ray Player ...
- Pioneer DVL-909 DVD Player Revi...
- Pioneer DVL-919E Laserdisc and ...
- Pioneer Elite 60-inch KURO PRO-...
- Pioneer Elite BDP-05FD Blu-ray ...
- Pioneer Elite BDP-95FD Blu-ray ...
- Pioneer Elite DVR-7000 DVD Reco...
- Pioneer Elite EX Series In-Wall...
- Pioneer Elite KURO PRO-111FD Pl...
- Pioneer Elite KURO PRO-141FD Pl...
- Pioneer Elite KURO PRO-150FD Pl...
- Pioneer Elite SC-09TX A/V Recei...
- Pioneer Elite VSX-94TXH A/V Rec...
- Pioneer KURO PDP-4280HD Plasma ...
- Pioneer DV-59AVi Reviewed...
- Polk Audio LC265i-IP In-Wall Lo...
- Polk Audio RM6900 Home Theater ...
- Polk LSi7 Bookshelf Loudspeaker...
- Polk R150 Bookshelf Loudspeaker...
- Polk RTi A1 Bookshelf Loudspeak...
- Polk SurroundBar 360 DVD Theate...
- Polk SurroundBar 50 Sound Bar R...
- Polk TSi100 Bookshelf Loudspeak...
- Polk TSi200 Bookshelf Loudspeak...
- PrimaLuna 3 and 4 Tube Power Am...
- Primaluna Prologue One Integrat...
- Primaluna Prologue Two Amplifie...
- Primare SP31.7 AV Preamp Review...
- Pro-Ject Tube Box Phono Stage R...
- PurePower 1050 AC Power Regener...
- PurePower 700 AC Power Regenera...
- PurePower 700 AC Power Regenera...
- QUAD 99 Compact Disc Player Rev...
- Qsonix Q110 Music Server Review...
- Quad 33 Preamp and 303 Amp Revi...
- Quad 989 Loudspeaker Reviewed...
- Quad ESL-2905 Loudspeakers Revi...
- Quad II Reissue Preamp Reviewed...
- Quad II-eighty Tube Amplifier R...
- Quad Super System Reviewed...
- Quasar LE Turntable Reviewed...
- RBH CT-7.1 Compact Theater Spea...
- RBH MC Series Mark II Reviewed...
- RBH MS-10.1 Subwoofer Reviewed...
- REL Acoustics Britannia B2 Subw...
- REL Acoustics T1 Subwoofer Revi...
- REL Q200E Subwoofer Reviewed...
- REL Strata III Subwoofer review...
- ROTEL RB-1092 Amplifier Reviewe...
- Radford MA50 Renaissance Class-...
- ReQuest F-500 Music Server Revi...
- Red Rose Music Model 5 Integrat...
- Red Rose Music Rosette 1 Integr...
- Rega Planet Turntable Reviewed...
- ReplayTV Series 5500 Digital Vi...
- Revel Concerta F12 Floorstandin...
- Revel Concerta M12 Bookshelf Sp...
- Revel F12 Speakers and Revel B1...
- Revel Performa B15a Subwoofer R...
- Revel Performa F52 Floorstandin...
- Revel Performa M22 Monitor Loud...
- Revel Ultima SUB 30 Subwoofer R...
- Revel Ultima Salon2 Loudspeaker...
- Richard Gray's Power Company 12...
- Richard Gray's Power Company Po...
- Richard Gray's Power Company RG...
- Richard Gray's Power Company RG...
- Rogers LS3a Bookshelf Speakers ...
- Rogers db101 Speakers Reviewed...
- Roksan Five Channel Amp Reviewe...
- Rotel RA-1520 Integrated Amplif...
- Rotel RDV-1080 DVD-Audio Player...
- Rotel RMB-1575 Five Channel Amp...
- Rotel RSX-1055 AV Receiver Revi...
- Rothwell Passive Preamp Reviewe...
- Roxsan Capsian AV Preamp Review...
- Roxsan Hotcakes Bookshelf Louds...
- Ruark Epilogue Loudspeakers Rev...
- Ruark Equinox Loudspeakers Revi...
- Ruark Solus Loudspeakers Review...
- Runco CL-700 DLP Video Projecto...
- Runco PL-50HDX 50-Inch Plasma H...
- Runco PlasmaWall XP-103DHD 103-...
- Runco PlasmaWall XP-65DHD 65-In...
- Russound Smart Media Console SM...
- SI Screens Black Diamond II Pro...
- SIM2 C3X LUMIS HOST Projector R...
- SME M2 Tonearm Reviwed...
- SME Series 30 Turntable Reviewe...
- SME Series I, II, III Tone Arms...
- SMX Proline Screen with CineWea...
- STAX 4070 Headphone Reviewed...
- STAX SRS-2050 II Basic Headphon...
- SVS PC-Ultra Subwoofer Reviewed...
- Salamander Designs Archetype 2....
- Salamander Designs Archetype 3....
- Salamander Designs Archetype 5....
- Salamander Designs Synergy Syst...
- Salamander Designs Synergy Twin...
- Samsung BD-P1500 Blu-Ray Player...
- Samsung BD-P2500 Blu-Ray Player...
- Samsung BD-P3600 Blu-ray Player...
- Samsung DVD-P721M DVD Player Re...
- Samsung LN-T4065F HDTV LCD Revi...
- Samsung LN46A950 LCD HDTV Revie...
- Samsung LN52A650 LCD HDTV Revie...
- Samsung LN52A850 LCD HDTV Revie...
- Samsung LTN406W 40 inch LCD HDT...
- Samsung PN50A550 Plasma HDTV Re...
- Samsung UN55B7000 55 inch 1080p...
- Sanyo PLV-Z2000 1080P 3-Chip LC...
- Sanyo PLV-Z3000 1080p 120Hz LCD...
- Sanyo PLV-Z700 16:9 LCD Full HD...
- Scientific Atlanta Explorer 830...
- Scientific Atlanta Explorer 830...
- Sennheiser Lucas Headphones...
- Sennheiser Noiseguard PXC250 He...
- Sennheiser PX 100 Headphones Re...
- Sequerra Model 1 FM Tuner Revie...
- Shanling Audio 1500 CD Player R...
- Sharp AQUOS LC-32GD6U LCD HDTV ...
- Sharp AQUOS LC-46D64U HDTV LCD ...
- Sharp AQUOS LC-46D65U LCD HDTV ...
- Sharp AQUOS LC-46E77U LCD HDTV ...
- Sharp AQUOS LC-52BD80U LCD HDTV...
- Sharp AQUOS LC-52D92U HDTV LCD ...
- Sharp Aquos LC-30HV2U 30 Inch L...
- Sharp BD-HP21U Blu-ray Player R...
- Sharp BD-HP22U Blu-ray Player R...
- Sharp BD-HP52U Blu-Ray Player R...
- Sharp DV-HR300 HDD/DVD Recorder...
- Sharp LC-15B2UA Aquos HDTV Revi...
- Sharp LC-32LE700UN LED LCD HDTV...
- Sharp XV-Z10000 DLP Projector R...
- Sharp XV-Z2000 DLP Projector Re...
- Sherwood BDP-5003 Blu-ray Playe...
- Sherwood Newcastle R-903 A/V Re...
- Sherwood R-872 HDMI Receiver Re...
- Shure V15 Phono Cartridge Revie...
- Sim Audio Moon Integrated Amp R...
- Simaudio Moon Stargate AV Pream...
- Simaudio Orbiter Universal Play...
- Simon Yorke Turntable Reviewed...
- Sinfonia Preamp and Amp Reviewe...
- Sirius/XM iPhone App Reviewed...
- Slingbox Media Server Reviewed...
- Solen Tiger Tube/MOSFET Integra...
- Sonance Architectural Z8F In-wa...
- Sonance Cinema Ultra II LCR Spe...
- Sonic Frontiers SFS-50 Tube Pow...
- Sonus Faber Guerneri Homage Lou...
- Sonus fabber Musical Loudspeake...
- Sonus faber Amati Loudspeakers ...
- Sonus faber Concerto GP Loudspe...
- Sonus faber Cremona Auditor Spe...
- Sonus faber Cremona Bookshelf L...
- Sonus faber Electa Floorstandin...
- Sonus faber Extrema Loudspeaker...
- Sonus faber Guarneri Memento Sp...
- Sonus faber Topolino Loudspeake...
- Sony 333 SACD Player Reviewed ...
- Sony A VD-S50ES SACD/DVD Receiv...
- Sony BDP-N460 Blu-ray Player Re...
- Sony BDP-S1000ES Blu-ray Player...
- Sony BDP-S300 Blu-ray Player Re...
- Sony BDP-S350 Blu-ray Player Re...
- Sony BDP-S360 Blu-ray Player Re...
- Sony BDP-S5000ES Blu-ray Player...
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