HomeTheaterReview.com

Consumer Confidence in Economy and Tech Drops, According to CEA-CNET Indexes

2010-07-27T21:01:08Z

Consumer confidence in the economy reached its lowest level in the history of the CEA-CNET Index in July, while confidence in technology dropped slightly, according to figures released today by the Consumer Electronics Association (CEA) and CNET. The CEA-CNET Index of Consumer Expectations (ICE) fell to 157.3 this month, an all-time low. The indexes began tracking in January 2007. The ICE, down 5.5 points from last month, measures consumer expectations about the broader economy. It is down more than eight points from this time last year.

"The overall mood of consumers continues to be cautious," said Anne Claudio, vice president of research at CBS Interactive. "A variety of factors are weighing heavily on consumers and their feelings towards the economy."

Consumer confidence in technology showed a slight decrease this month. The CEA-CNET Index of Consumer Technology Expectations (ICTE) fell more than half of a point to 82. The ICTE, which measures consumer expectations about technology spending, is up 5.4 points from last year.

"Although there were several new and innovative technology products launched this month, consumers seem uncertain about purchasing consumer electronics," said Claudio. "This may be a wait-and-see approach, as parents and children prepare for the school season and may purchase more for necessity rather than luxury."

The CEA-CNET Indexes are comprised of the ICE and ICTE, both of which are updated on a monthly basis through consumer surveys. New data is released on the fourth Tuesday of each month. CEA and CNET have been tracking index data since January 2007. To find current and past indexes, charts, methodology and future release dates, please log on to: CEACNETindexes.org.

NextGen 1x8 HDMI-Over-CAT6 Splitter Reviewed

2010-07-27T16:03:17Z

There's no denying the convenience that HDMI affords. The ability to send high-definition video, high-resolution audio, and control/data information over one small, relatively pliable cable has given us leaner, cleaner A/V backsides, but it comes with potential downsides. Handshake issues can be an endless source of frustration, and HDMI is not well suited for longer runs without some type of assistance. HDMI Licensing lists a cable length of about 10 meters (32 feet) to ensure signal reliability, but a number of methods exist to extend HDMI's reach--from active cables to repeaters to amplifiers. One method of HDMI extension that's growing in popularity is HDMI-over-CAT5/6, which can allow cable runs to 100 feet and beyond. This technology is available in a number of "one source to one display" solutions, and it's slowly starting to appear in HDMI splitters that allow you to send the signal to multiple displays. These splitter solutions can be pricey, which is why NextGen's new 1x8 HDMI-over-CAT6 splitter caught my eye. This product carries an MSRP of just $299.95--although there is a catch. (Isn't there always?)

As the name suggests, this splitter (which is based on a SYVIO model from CMI Communications) has one HDMI 1.3 input and eight RJ-45 outputs. You can send one source--or the output from your A/V receiver--to eight display devices simultaneously. Just like a high-speed HDMI cable, the NextGen splitter supports a data transfer speed up to 10.2 Gbps, and it can transmit a full HD video signal up to 1080p/60 with 12-bit color. The distance varies depending on the type of cable you use. CAT-5, CAT-5E and CAT-6 cables will all work; however, to ensure reliability over the longest runs, you'll want to use CAT-6, which supports 1080p/60 with 12-bit color up to 30m, 1080p/60 up to 50m and 1080i up to 60m. (CAT-5E supports 1080p/60 to 40m and 1080i to 50m.) This splitter supports the HDCP 1.2 protocol, and it can also pass high-resolution audio signals, such as Dolby TrueHD, DTS-HD Master Audio and 7.1-channel LPCM.

On the display end, the system requires an adapter that converts the signal back to HDMI for input into the display device. The HET004-RX receiver is a small box (it measures about 1.5 by 3 inches) that has an RJ-45 input on one end and an HDMI 1.3 output on the other. This receiver unit requires power and comes with a 5-volt DC power adapter. It also sports a tiny EQ button, accompanied by an LED that displays a number between one and eight. (The package lacks any literature that explains the EQ button and numbers; I first assumed that the number reflected the corresponding output port on the splitter, but that is not the case.) The "catch" I mentioned above is that the NextGen 1x8 splitter doesn't come with any receiver units; you must purchase each receiver unit separately at a cost of $49.95 apiece. Should you need to use all eight outputs on the HDMI splitter, you'll need to purchase eight receiver units, which will run you $399.60. On the plus side, you're not forced to pay for anything you don't need. You can purchase the exact number of receiver units that your system requires, with the option to add on when necessary.

I received the splitter and two receiver units for evaluation, which would carry a total price of $399.85 through NextGen's online store (www.nextgen.us). Setup was quick and easy; during my review process, I used a direct link between source and splitter, and I also routed signals through my A/V receiver. Both configurations worked well. I began my performance evaluation with resolution tests. First, I established a baseline standard for comparison: Using a 25-foot HDMI cable running from my Pioneer BDP-95FD Blu-ray player to an LG 47LE8500 TV, I checked out one of the resolution test patterns on the FPD Benchmark Software Blu-ray disc. This pattern shows resolution lines at VCR, TV, DVD, HD 720 and HD 1080 resolutions, first stationary and then in motion. The LG is a good reference TV because, with its TruMotion technology enabled, it serves up a crystal-clear HD 1080 pattern. When I switched from the physical cable to the NextGen splitter with a 14-foot CAT-5E cable, I saw no loss of detail. I then added a second display, the Panasonic TC-P50G25, sending the signal over a CAT-5E cable of the same length. Again, I saw no loss in resolution. I also wanted to test the resolution performance over a longer cable run: The only long cable I had in the house was a 75-foot CAT-5 cable, and again resolution appeared to hold up just fine when I ran this cable to the LG display.

Next, I tested the system's ability to preserve black detail in 1080p signals. My current HDMI splitter crushes blacks whenever I try to send a 1080p signal to multiple displays. (Admittedly, my splitter came out before Blu-ray made 1080p a common resolution format.) I used some of my favorite black-detail demo scenes from The Pirates of the Caribbean: The Curse of the Black Pearl (chapter four), Flags of Our Fathers (chapters two and six) and Casino Royale (chapter five). All of the desired black detail remained intact, and the image quality was excellent on both TVs.

As solid as the NextGen's video performance was, I was less satisfied with its signal reliability--at least in the early-goings. The Panasonic TV always established a handshake and cued up the image properly, regardless of source or resolution. However, the LG TV often struggled to make or maintain the handshake; I had to turn the TV off and turn it back on to re-establish the link (it did not matter which receiver unit I used). I also tried adding an Epson Home Cinema 1080 projector; and, while it established a handshake without issue, it would not display a 1080p/60 resolution. When I tried to go back to the LG TV, I couldn't establish a handshake at all, no matter how many times I tried reconnecting and rebooting devices. At this point, I decided to see what would happen if I pressed the EQ button on the receiver units (the button is designed like a reset button--you need a thin-tipped object, like a paper clip, to reach it). Each button press scrolls through the numbers, one through eight. Simply changing each receiver unit to a new "channel" immediately fixed the problems. I experienced no further handshake issues, and all three displays showed a 1080p/60 resolution. It would be nice if NextGen actually included some literature with the receiver unit that explains the function of the EQ button.

I experienced one other odd issue with the NextGen system. When mated specifically with the Panasonic TV, the receiver units were able to function without the power cable. In fact, when I tried to plug in the power cable, I either lost the picture entirely or sometimes saw interference lines in the image. NextGen's theory is that the Panasonic TV has power output via HDMI, but the power must be different from the standard external power supply, which is causing a conflict that leads to signal interference when both are connected. Hey, if you've got a Panasonic TV that will power the receiver unit without the external power supply, it means one less cable to run...which is always a plus in my book.

High Points
• The NextGen splitter allows you to send a 1080p HDMI source to eight different displays simultaneously.
• The HDMI-over-CAT6 system can send the signal up to 60 meters (almost 200 feet).
• The system is easy to set up, and CAT6 is generally easier to run through walls, and over long distances, than A/V cables.
• The receiver unit has a small form factor.
• The NextGen 1x8 HDMI splitter is a great value.

Low Points
• The 1x8 splitter does not come with any receiver units. You have to purchase each receiver unit separately.
• This solution ups your cable count, as each feed requires a CAT5E/6 cable, an HDMI cable into the display, and the power cable for the receiver unit.
• Neither the splitter nor the receiver unit comes with very much literature to assist you, should you encounter a problem. I had to solve my review sample's signal-reliability issues by experimenting with the receiver unit's EQ button.

Conclusion
Once I worked out the handshake issues, I was very pleased with the NextGen HDMI-over-CAT6 system. In principle, I feel like NextGen should include at least one receiver unit with the splitter. However, it appears to be common in the world of HDMI-over-CAT6 splitters to sell the receiver units separately. And, when you factor in the low asking price of the NextGen model, it's hard to complain. All in all, this is a great, inexpensive solution for anyone who wants to feed an HDMI signal to multiple displays, whether those displays are across the room or across the house.

Is Today's Home Theater Equipment Too Good?

2010-07-26T08:01:52Z

Shocking wouldn't be how I describe the news that regional AV chain Ken Crane's is closing after decades in business in Southern California. The rumors had been swirling that Crane's had one foot on a banana peel and another in the grave and with the likes of The Good Guys, Tweeter, Myer Emco and the once mighty national chain Circuit City, now all gone - Crane's could very likely be next. Now they are toast.

The news rattles the industry as some of the better audiophile and videophile brands are sold there. In discussing the seismic shift in AV retail with an industry analyst - he pointed out the he thought the root cause was the fact that AV gear is too good. What!?! Too good, I retorted - have you ever hooked up an HDMI 1.4 system without handshake issues? He went on to say that the market share that once was owned by brick and mortar AV shops as well as regional chains is now dominated by big box and warehouse stores like Wal-Mart, Costco and the likes. They sell commodity products at rock bottom prices. They offer competitive return programs but little in the way of actual support or sales expertise. If you can't learn enough about the product from the outside of the box or a quick look on your smartphone then don't buy it. The salesman doesn't care because he's not a salesman - he's a minimum wage clerk who will never last more than 18 months with the store, which is just how the big box stores want it. They sell commodities, not specialty products.

My buddy made a strong argument when looking at a simple system. At a big box store you can buy a 55 inch HDTV that is brighter than a bug zapper, that can make one hell of a 1080p picture; add a $150 Blu-ray player going into a $500 soundbar, perhaps even with a subwoofer and all connected to your satellite TV and you have one hell of a system. It plays loudly and it looks pretty slick once installed. The 1080p video is good even if you don't get an ISF calibration (although it would last longer and look 20 percent better with the pro setup). The overall expense is maybe $4,000 or $5,000 total, which to today's price-savvy consumer is pretty compelling for an entire home theater. Hell, $5,000 barely bought you a 42 inch 1080i plasma seven or eight years ago - today you get the whole system that is vastly improved. Back then there were margins that supported professional salespeople learning and supporting such systems; today the big box stores rely on automated displays and pre-programmed kiosks to sell product over people mainly because trained people are expensive.

With 3D looming large in the future, specialty AV has yet another trick up its sleeve to woo consumers to pay more for another round of cool AV gear, but how long will specialty AV dealers be able to make it with the overhead of brick and mortar demos - the life's blood of high end audio and video - when Costco will work on less than 10 percent profit?

To survive, today more than ever, AV dealers need to provide more value for less money. They need to curb overhead and make the event of going to their store jaw-droppingly good every time someone walks in the front door. They need to be priced competitive but more importantly - they must offer more value. Longer warranties, professional calibration, low-cost in-home support, the top brands, awesome audio and even better video. Training of salespeople is a key differentiation, as firing the commissioned salespeople was the nail in the coffin for Circuit City years ago. Specialty AV dealers need to be able to sell AV products like a high end kitchen store sells Sub Zero or Gaggenau. People who buy a Sub-Zero likely never look at a Frigidaire. Many consumers want fine products in their life but nobody wants to waste money. If the AV business cannot more clearly illustrate why specialty audio is in fact special, then expect more stores and regional chains to fold in the coming months even as the economy improves, simply perhaps fueled by the fact that mainstream home theater gear is just too good. For anyone who loves and/or has experienced what specialty AV is all about - the idea that a soundbar and a Costco TV is what home theater is all about is a bit hard to swallow.

McIntosh MC-501 Mono Amplifier Reviewed

2010-07-26T08:01:29Z

McIntosh is one of the longest living legends in American high-end audio history. McIntosh's 'Unity Coupled Circuit' utilized in the 50W-1 tube amplifier introduced in 1949 was its first breakthrough design. The use of black glass panels that give McIntosh a unique aesthetic quality came to be in the 1960s. Over the next five decades McIntosh's product line expanded to include speakers, car audio equipment and a variety of sources including the recent addition of a turntable. Around the time the MC-501 was introduced in 2003, D&M Holdings, Inc. purchased McIntosh from Clarion who had owned the company for just over a decade. Despite the changes in the company's ownership many of the employees have worked for the company for well over a decade, developing a deep devotion to the company and its customers.

The MC-501 is a solid-state 500 watt monoblock that is capable of putting out a continuous 500 watts into eight, four, or two Ohms and peaks of up to 1,200 watts, which is a great deal of power for their price of $11,000 per pair. Unique to McIntosh is the use of the output autoformer. The output autoformer is said to match various speaker impedance levels to the amplifier circuits, keeping the amplifier operating within its optimum load, reducing distortion and overheating. The MC-501's fully balanced quad-differential circuits go beyond a traditional balanced circuit topology to eliminate nearly all distortion. Total harmonic distortion is rated at less than 0.005 percent at rated power, as is intermodulation distortion. The amplifier is protected by two systems, McIntosh's Power Guard which prevents the amplifier from being overdriven and Sentry Monitor with Thermal Protection.

All of the performance and protection features are wrapped up in a chassis that is immediately identifiable at great distance as a McIntosh. The MC-501 has the signature black glass front panel with a very large illuminated power meter with soft blue backlighting above the iconic McIntosh logo which is backlit by green fiber optics. The panel features McIntosh's new "three dimensional look" which adds a modern touch to this classic design. Chrome plated knobs can be found below and to each side of the illuminated meter. One controls the meter allowing the meter to operate in real time, hold on peaks or be turned off when a dark room is desirable, the other knob turns the amplifier on and off or allows for remote triggering. This amplifier looks just as impressive from any angle; the bottom portion of the amplifier is made from stainless steel polished to chrome like appearance upon which two large enclosures sit directly behind the front panel, one for the transformer and the other the autoformer. Heavy vertical fins run from the transformer and autoformer to within a couple of inches of the back of the amplifier, the horizontal space between the fins and the back of the amplifier is where the three sets of large, custom made speaker taps, a three prong IEC power cord port, control ports, balanced and single ended inputs with a switch to choose the active input. The whole package measures a compact 17 and a half inches wide, by nearly nine inches high and almost 15 inches deep and weighs in at a hefty 92 pounds.

The MC-501's build quality is first rate. The particular units I received for the review were demonstration units that had been shipped around and used at shows; despite cosmetic surface scratches indicating that it had not always been handled with great care, the amplifiers were solid and performed without a hitch.

The Hookup
I used the MC-501's solely in my two channel system. This system has been undergoing a change over the past few months. The primary source was McIntosh's MCD-500 CD/SACP player feeding into a McIntosh C-500 preamplifier. Other sources included Classe's CDP-202 CD player and a laptop with high resolution FLAC files via the USB output into a Sonicweld Diverter which converts the USB signals to SPDIF which I then connected to the digital inputs of a Cary 303T. When I first installed the MC-501's I was using a Conrad Johnson CT-5 preamplifier but used the McIntosh C-500 for all critical listening. All cables are Kimber Select with the KS-3035 being used for the speaker cables. I listened to both Martin Logan Summits and Acoustic Zen Adagios while evaluating the MC-501s.

The MC-501s were too tall to fit in my equipment rack so I used Billy Bags amplifier stands. Billy Bags has a new line of racks that are designed to complement McIntosh's design with blue or green cracked glass shelves on gloss black metal framework. When the McIntosh system was powered on in a dark or dimly lit room the glow of the meters and fiber optic backlit panels captured the admiration of everyone who saw it and set the mood for enjoying the music.

Performance
As the review samples were already broken in, I began my listening after a brief warm up period. I began with an old favorite, Blues Traveler's self titled album (A&M Records). My grad school roommate got me into the band and I have been listening to their music, including attending several of their live performances ever since. This album is a lot grittier than the band's later more polished releases. I listened to "Dropping Some NYC", which contains the band's signature harmonica lines. On lesser systems, I have heard this track become shrill and painful to listen to, not so with the MC-501s. Through either the Martin Logan's or the Acoustic Zen's detailed and extended ribbon tweeters the highs were extended and sweet without any harshness at all. The MC-501s did not gloss over the gritty character of this recording, letting the listener hear it for what it is. There was never any glare, grain, compression or harshness even at volumes approaching levels that might cause my neighbors to call the authorities. The rhythm and pace were dead on and provided a natural presentation for extended listening sessions without any fatigue.

I then tried listening to a stereo track off of Godsmack's Changes DVD (Coming Home Studios), specifically the track "Battalla de los Tambores". I used the Oppo BDP-83 Special Edition as the player for this. I first heard this piece when Dan Miller, then with Marantz, used it at an off-site demonstration at CES a few years back and I immediately got my own copy. This lengthy track features a duel between two drummers. It includes both solos and the drummers playing off of each other. The MC-501 retained impressive control over the speakers at any volume level, never losing detail as the volume increased. I never sensed any strain or heard any compressions that plagued most other amplifiers at these volumes, the MC-501 continued without any signs of strain and when I put my hand on the amplifier it was warm but never hot. After playing this track a couple of times through my Martin Logan's with their powered woofers I then listened to it through the Acoustic Zen Adagio's which do not reach as low but the MC-501's were now the sole source of amplification, as with the Martin Logans' there were no signs of strain or compression. I continued to be impressed by the amplifiers' ability to provide such tight and detailed bass even with this frenzied track.

The MC-501 impressed with non-synthesized music and I was curious to see how more dynamic synthesized music that is so prevalent in today's music scene, especially at high volumes. The Black Eyed Peas' latest album, The E.N.D. (Interscope) is full of sharp, synthesized beats with deep bass. While this is most definitely not an audiophile album that I would use to evaluate soundstage and tonal details, it did allow me to determine that the MC-501 could reproduce dynamic bass lines without compromise. There was absolutely no smear, the notes started and stopped as they could without any unnatural overhang. The notes that were to be crisp and sharp, were. This detail was also present in more natural bass notes such as those on the audiophile favorite "Train Song" on It Happened One night by Holly Cole (Blue Note Records). The detail in the bass notes was as good as I have heard in my system. The instruments and vocals were well integrated and coherent while retaining their place within the soundstage. The soundstage appeared to be just behind the front plane of my speakers and had appropriate depth and width. Holly Cole's vocals were natural, well grounded and without any hint of chestiness.

Keeping with female vocalists, I listened to Jennifer Warnes' Famous Blue Raincoat (BMG / Classic), an album that I suspect that most McIntosh listeners are familiar with. The well known track "Bird on a Wire" features Warnes' signature husky vocals that the MC-501 reproduced with great detail, and weight. With my eyes closed I could easily picture myself about eight to ten feet from the stage with Warnes solidly positioned in the center. The amplifier could the spacing and size of this well known sound stage just right. The triangle was to the left where it belonged, with the drums several feet back next to the horns with a few other instruments filling out the stage. The solid image extended past the outer edges of my speakers on the horizontal plane and the depth went past my front wall. While listening to this piece I noted some of the strengths of the MC-501 that had previously gone unnoticed. The reproduction of the music was so natural and right that it was easy to look past the system and just enjoy the music. The reproduction of the string section was sweet and warm, dare I say tube-like. Similarly the tenor saxophone was reproduced with proper detail but without the unnatural glare that often accompanies the less than stellar reproduction of this instrument. The amplifiers' ability to capture the leading edge of the notes helped make the presentation realistic rather than sounding like a muted reproduction of a live performance.

Having determined that the MC-501's could handle dynamic swings, bass and female vocals with aplomb, I transitioned to some male vocals. I listened to Michel Jonasz' "Le Temps Passe" from La Fabuleuse Histoire de Mister Swing. (Warner Music Group) I first heard this piece during a demonstration Jeremy Bryan was doing for Tara Labs at CES. Jonasz's vocals are full of texture and emotion that made the music enjoyable despite not being able to understand a word of French. The vocals combined with a sensuous drum track demonstrated the coherence of the MC-501 between the lower octaves of the bass notes up to the vocal range.

The track "Hallelujah" from Jeff Buckley's Live at Sin-e (Sony) has a larger sense of space than some of the pieces discussed above. As with the other recordings discussed above, the vocals were solid and had a good, realistic sense of presence. What sets this track apart is its exceptional sense of space that is so hard to quantify. On many systems it is apparent that Buckley is on a large stage in a large venue, on the best systems the listener has a sense of being in that space, the MC-501 can put you there.

Mixing it up, I listened to some recently acquired 24 bit FLAC files I downloaded from the Bowers & Wilkins Society of Sound. I played the audio files off of a Windows based laptop through the USB output and into a Sonicweld Diverter which converted the signal to a SPDIF digital coaxial format and into a Cary 303T (Reviews of the Cary and Sonicweld forthcoming.). Peter Gabriel's newest album, Scratch My Back is one of the many albums I have obtained from the society. I recently used this album when reviewing the NuForce Ref 9 V3SE monoblock amplifiers. The McIntosh MC-501's also benefitted from the enhanced resolution of the 24 bit audio files. As with the NuForce, the violins and Gabriel's vocals had an increased sense of presence. However, the differences between the two amplifiers remained clear with the NuForce's providing a brighter and slightly more detailed soundstage than the MC-501's which were more organic and relaxed in their presentation. I was not surprised to hear the MC-501's retain their composure at much higher volumes than the NuForce's, given their comparative power ratings.

The difference between the two amplifiers was further highlighted by Carl Orff's Carmina Burana (Telarc SACD). I have listened to the opening two tracks, Fortuna Imperatix Mundi, on many systems and they provide a detailed, multi-layer soundscape that test so many aspects of a system. The scale of the chorus and instruments was slightly smaller with the NuForce than with the McIntosh. The resolution between instruments and soundstage placement for sources towards the front of the soundstage was comparable between the two amplifiers. However, as one moved towards the back of the soundstage, the NuForce seemed to provide more spatial definition.
Both amplifiers provided strong bass reproduction but the McIntosh provided more definition of the drums and organ, especially at higher volumes.

The Downside
In an ideal world where all of your software is well recorded I would like my amplifiers to provide a deeper look into the sonic landscape. Some of the more revealing amplifiers I have heard such as the Halcro dm38, NuForce Ref 9 V3 SE and Krell FPB 300cx provide a slightly deeper view into the music but sometimes this comes at a cost. In many instances this only reveals the imperfections in the recording process and reminds the listener that they are listening to a recording and not live music. Like the never ending debate between tubes and solid state, the amount of detail is a choice of preference. One listener's "cold and analytical" is another's "unveiling".

For younger customers, the McIntosh "look" might be a little to retro. For enthusiasts of the brand it has a quirky lure that is purely emotional. To anyone's eyes McIntosh industrial design is anything buy modern. Perhaps its more classic?

Conclusion
In McIntosh Laboratory's 60-plus years of history they have built a reputation of being a luxury audiophile brand. The MC-501 is one of the products that stands out within the line as epitomizing what the brand stands for. As I removed the amplifiers from their carefully designed boxes, I could tell that the build quality was excellent. Once I had the amplifiers completely out of the packaging I could see that the finish quality of the classic aesthetic with modern touches was clearly of the luxury persuasion. The beauty continued when I had the amplifiers installed in my system, both visually and aurally.

The McIntosh system made for an impressive visual with their black glass panels, blue meters and green backlighting, which may set the mood for listening. Their performance was simply impressive without any signs of effort. The MC-501s' provide an appropriately sized soundstage filled with palpable images. The amplifier never broke a sweat and I found myself going through several extended listening sessions with absolutely no listening fatigue. The McIntosh amplifiers were slightly to the warm side of neutral, adding warmth to revealing speakers such as my MartinLogans and Acoustic Zen's. The warmth of the MC-501s fleshes out these detailed speakers, the mids were full bodied and the highs were on the sweet side without any brittle harshness. Perhaps, the easiest way to characterize this sonic character is "tubes-like." Although this solid state powerhouse has more control, especially in the lower octaves, than tubes tend to provide, the level of detail and control provided by the MC-501 reproduced textural and positional details in a manner that brings you to the music.

When listening to the MC-501s I found myself listening to the music and not my system. The MC-501s do an amazing job of recreating live performances with their organic, relaxed presentation. Their slightly warm character and not wringing out the last bit of absolute detail may deter some listeners seeking to reproduce the recording. However, in my opinion, the McIntosh MC-501s' do something even better, they reproduce the true emotion of a live performance.

Meridian Introduces Sooloos Control 15

2010-07-24T03:12:02Z

Meridian Audio has announced the introduction of Control 15, which combines the three essential elements of every Meridian Sooloos Digital Media System - storage, playback and control - in a single freestanding device that, when paired with Meridian's DSP Loudspeakers, forms a complete digital system.

From its 17-inch touch-screen, Control 15 provides access to an entire Meridian Sooloos music collection, and connected to the internet, Control 15 also serves as an interface to the internet radio stations and streamed music from Rhapsody (where available).

Control 15 stores around 1000 CD albums in lossless format - along with MP3 versions that can be exported to a personal music player - on an internal 500GB hard drive. And for larger music collections, one Control 15 can be connected to another Control 15, to additional Meridian Sooloos storage, or further Meridian Sooloos source components, enabling a system to grow along with both your music collection and your home.

Control 15 includes an integrated audio renderer featuring the full suite of Meridian's audio enhancing technologies and delivering S/PDIF and SpeakerLink digital audio to any digital music system. Using SpeakerLink to connect Control 15 to any of Meridian's DSP Loudspeakers with a single discrete cable is designed for easier installation and produces a variety of methods of system control - from the touch-screen, via a Meridian MSR+ system remote control, or even wirelessly using the Sooloos iPhone/iPad app. Control 15 includes a Compact Disc drive, allowing music to be loaded on to the system direct from a CD.

Available now, MSRP: $7,500

Monster Partners with Yao Ming to Launch "Yao Monster" Electronics and Lifestyle Products in China

2010-07-24T00:50:59Z

Monster, a manufacturer and designer of headphones and A/V accessories, has announced that it is partnering with Houston Rockets star center and China icon Yao Ming to develop a broad range of co-branded "Yao Monster" consumer electronics and lifestyle products for distribution in China. The alliance brings together the expertise of Monster in the development of advanced A/V technologies and its acumen in the marketing of branded lifestyle experiences with the personal style, vision and qualities of Yao Ming. Yao Monster products, ranging from high performance headphones, lifestyle bags and performance glasses line, to home theater connectivity and power products, will offer consumers in China a "fusion of technology and life" - and a way to identify with their national hero as they enjoy experiences and avenues of self-expression once available only to a privileged few.

Yao Monster Launch Accelerates Monster's Entry into the Domestic Market in China

Yao Monster products will symbolize the very best attributes of Yao Ming as well as those of Monster Cable, the company founded by Noel Lee over 30 years ago. Mr. Lee, who worked closely with Yao Ming to create the Yao Monster product line, commented on the brand's launch in China, noting: "While there is tremendous opportunity in the China marketplace, there are many barriers to expansive distribution that make it a challenge for companies seeking to penetrate the market. So, in developing the Yao Monster line, we went to great lengths to create products with strong appeal to China's lifestyles and trends. We started our own company there using Chinese staff to be culturally connected to the market."

The Head Monster says about the Market: "As more of China's consumers discover high performance consumer electronics products, there is an opportunity for all of Monster's high performance accessories. Moreover, China consumers are well known for their intense customer loyalty, so Yao Monster brings a new brand to China based around China's most beloved national hero."

Aspirational Lifestyle Brand Aims to Inspire Greatness among China's Youth

The Yao Monster brand is designed to capture the essence of the achievements from humble origins by Chinese success stories Yao Ming and Noel Lee, and Yao Ming's dedication, drive and determination to attain basketball greatness followed by his ascent into global celebrity and philanthropy come at a time when it is still rare for Chinese figures to emerge so prominently on the world stage.

Likewise, Noel Lee's founding of Monster Cable and his leadership of the company into expanded product categories and markets worldwide demonstrates how Chinese Americans can break through the "glass ceiling" in Western business.

And by delivering viewing and listening experiences as well as accessories for the active lifestyle, the Yao Monster brand will empower young people to enjoy ways of expressing their sense of modern Chinese identity as well as their traditions of giving back to the community. To this end, a portion of the proceeds from all sales of Yao Monster products will go to support The Yao Ming Foundation, which builds schools for disadvantaged children throughout China.

Yao Ming noted: "Whether it's a headphone, a bag or a music player, today's products are not just about usage. A person's choice also represents their style and the kind of life they want to live. Yao Monster products will be different from any existing consumer electronics products and will be designed to impact they way we relax, how we exercise, and how we inspire ourselves. They will bring people more real enjoyment in life, and let them feel the incredible excitement of a fusion of technology and life."

Aerosmith Set to Arrive in Oakland on July 23rd for Start of 'Cocked, Locked, Ready to Rock' Tour

2010-07-22T21:14:28Z

No wind, no rain, no motorcycle mishaps can stop Aerosmith's "Cocked, Locked and Ready to Rock Tour" which begins their 18-city Live Nation produced US Summer Tour starting on Friday, July 23rd at Oakland's Oracle Arena. Aerosmith has just finished a run of dates in Europe and South America but all agree that playing for their American fans is the ultimate. Clearly the Aerosmith army couldn't agree more. The band is scheduled to play their hometown along with the J. Geils Band at a sold out Fenway Park show on August 14th.

"After last summer, we've been looking forward to getting back out there with a vengeance. I can't wait to feel the roar of the American audiences again and give this summer what it needs - a double dose of Aerosmith!" commented Steven Tyler.

Aerosmith's Joe Perry had a motorcycle mishap last week but stated, "Just like the name of the tour, I am 'Cocked, Locked and Ready to Rock.' It was a close call. My bike is smashed but I am ok from head to toe. I want to thank all of the fans for their emails and support."

"After all the trials and tribulations we've come out into one of the most fun tours in recent memory. We had an amazing time in South America and Europe and now we're ready to bring it home," said Tom Hamilton.

Aerosmith will be celebrating their 40th anniversary, and have sold over 150 million records. They are Rock and Roll Hall of Fame inductees, recipients of four Grammys, eight American Music Awards, six Billboard Awards and twelve MTV Video Music Awards.
Sammy Hagar and the Wabos will open eleven of the sixteen announced shows.

AEROSMITH

COCKED, LOCKED, READY TO ROCK TOUR

US DATES

Fri Jul 23 Oakland, CA Oracle Arena*
Mon Jul 26 Paso Robles, CA State Fair
Thu Jul 29 Irvine, CA Verizon Wireless Amphitheater (w/Cheap Trick)
Sat Jul 31 Las Vegas, NV MGM Grand Garden Arena*
Tue Aug 03 Dallas, TX Superpages.com Amphitheatre (w/Blue Oyster Cult)
Thu Aug 05 Woodlands, TX Cynthia Woods Mitchell Pavilion *
Sat Aug 07 Tampa, FL Ford Amphitheatre
Mon Aug 09 Fort Lauderdale, FL BankAtlantic Center*
Thu Aug 12 Wantagh, NY Nikon at Jones Beach Theater*
Sat Aug 14 Boston, MA Fenway Park (w/J. Geils Band)
Tue Aug 17 Toronto, ON Air Canada Centre*
Thu Aug 19 Omaha, NE Qwest Center*
Sun Aug 22 Tinley Park, IL First Midwest Bank Amphitheater(w/Buckcherry)
Tue Aug 24 Holmdel, NJ PNC Bank Arts Center*
Thu Aug 26 Syracuse, NY State Fair
Sat Aug 28 Atlantic City, NJ Boardwalk Hall*
Tue Aug 31 Detroit, MI The Palace at Auburn Hills*
Thu Sep 02 Cincinnati, OH Riverbend Music Center*
Sat Sep 04 Uncasville, CT Mohegan Sun Arena (w/Mighty Mighty Boss Tones)

*Opening act is Sammy Hagar and the Wabos

VIP experience packages *(which may include opportunities to meet band members, backstage tours, early entry passes, premium seating and/or merchandise) are available through www.AeroForceOne.com. Fans without internet access can call 508-791-3807 in the US 9am - 5pm EST.

Plans Underway for Zappa Dedication and Tribute Concert

2010-07-22T20:59:38Z

Since last month's confirmation of the September 19th date for Baltimore City's dedication of a bust of Frank Zappa, community support has been growing for a concert and festival in tribute to the legendary musician, composer and social icon, whose birthplace is Baltimore. The bust, donated by a Lithuanian fan club, will be placed at the Enoch Pratt Free Library's Southeast Anchor in Highlandtown, and plans now include an outdoor concert featuring Zappa Plays Zappa (fronted by Frank's son Dweezil), and various events at the library and nearby Patterson Theatre in support of the dedication ceremony.

The date itself is especially significant as September 19th is the anniversary of Zappa's 1985 testimony on Capitol Hill in favor of free expression by Recording Artists at the Senate hearing instigated by certain congressional wives (members of the PMRC) concerning record labeling. Frank Zappa's widow Gail commented on the remarkable coincidence, stating, "Frank's legacy rests in his uncompromising defense of the First Amendment and his uncompromising pursuit of excellence clearly demonstrated in the standards he set in all areas of Music and the arts and sciences associated with it. He was self-taught and self-realized. It is hard to imagine how that is possible except for the 4 cornerstones he had going for him: a talent for music, a hard-core curiosity, a keen sense of humor and access to a library. He was a cheap date for History."

The broader scope of events, being developed by Clearpath Entertainment in collaboration with the Zappa family, the Southeastern Community Development Corporation, Enoch Pratt Free Library, and the Creative Alliance, are intended to help anchor the new Highlandtown Arts and Entertainment District and plans now include a library exhibit, symposiums, and after party in addition to the dedication and concert. Sean Brescia of Clearpath stated, "Baltimore has a rich entertainment heritage dating back to its iconic theatres and jazz ballrooms, and opportunities like this are a chance to re-capture that spirit. We wanted to build an event that was a truly fitting tribute to the Zappa legacy, but also something that can grow into a signature cornerstone event for the Highlandtown Arts and Entertainment District, and Gail [Zappa] has shared that vision from the beginning." In the interest of what the events could mean for the community, Brescia reached out to a broad group of community organizations to help plan and raise support for the events.

Echoing that sentiment of community interests, Chris Ryer of the Southeast Community Development Corporation added, "The bust coming to Highlandtown and these events are high-profile, flagship opportunities to position the Highlandtown Arts and Entertainment District as major reasons for visitors to come to Southeast while they're in Baltimore. We're excited to work with Clearpath and the Zappas to leverage this year's events as a catalyst for great things to come."

Remarking on the concert lineup, Clearpath's David Christensen said, "Frank Zappa's musical genius and influence is undeniable and it has always been a must for us that Dweezil headline this show in the ultimate tribute to his father. This is going to be Zappa Plays Zappa, next to Zappa's statue, on a street dedicated Zappa Way, on Zappa Day; it couldn't be more fitting."

Contact:
Clearpath Entertainment
866-944-4409, ext. 1
info@clearpathentertainment.com

Percussion Stars Host Benefit for Little Feat's Ailing Drummer

2010-07-22T20:42:05Z

It's time to help a legendary drummer during his time of need while savoring the rhythmic talents of three of his peers.

DRUM! Magazine -- the leading magazine for drummers and percussionists worldwide -- has announced the biggest drumming event ever to take place in Northern California. On Friday, August 13, drummers will descend on the San Jose Repertory Theatre in the heart of Silicon Valley to witness three of the world's most exciting drummers -- Tower Of Power funk master David Garibaldi (performing with the TOP rhythm section), extreme drumming sensation Marco Minnemann, and former Mars Volta wunderkind Thomas Pridgen -- for an evening of mind-blowing drum clinics and performances. As a bonus, all attendees will receive free tickets to the George Clinton concert that follows the DRUM! Magazine Rhythm Night.

All profits generated from DRUM! Magazine Rhythm Night will be donated to Richie Hayward, founding drummer for seminal American roots-rock band Little Feat. In 2009, Hayward announced that he had contracted severe liver disease. Since then he has battled the condition without the benefit of health insurance. In addition to revenue generated by ticket sales, a wide range of drum and percussion companies have contributed percussion gear for a raffle to be drawn at the event, with proceeds also donated to Hayward's fund. The grand prize is a full DW drum set outfitted with Zildjian cymbals.

DRUM! Magazine Rhythm Night will help kick off the 21st Annual AT&T San Jose Jazz Festival, one of the largest open-air jazz festivals in the world. SJJF closes off the entire downtown area, erects multiple outdoor stages, and draws up to 100,000 music lovers who converge from Friday afternoon to Sunday evening to enjoy jazz, blues, salsa, Latin, R&B, electronica, and many other forms of contemporary music.

Tickets for DRUM! Magazine Rhythm Night are $15 in advance and $20 at the door, and are available at drummagazine.com/rhythmnight or by calling 408-971-9794, ex. 210. Cosponsors for DRUM! Magazine Rhythm Night include DW, Evans, Remo, Sabian, Vic Firth, Yamaha, Pro-Mark, Zildjian, and KFOG.

DRUM! Magazine Rhythm Night
August 13, 2010
6:00-8:30 p.m. (doors open at 5:30)
Tickets: $15 in advance, $20 at the door (drummagazine.com/rhythmnight)
408-971-9794, ex. 210

San Jose Repertory Theater
101 Paseo De San Antonio
San Jose, CA 95113

CE Industry To Surpass $174 Billion in 2010, Reach Record High by 2011

2010-07-22T20:32:54Z

The consumer electronics industry will exceed initial revenue projections for 2010, with growth of three percent over 2009 and overall shipment revenues of $174.9 billion in the United States, the Consumer Electronics Association (CEA) has announced. The semi-annual U.S. Consumer Electronics Sales and Forecast (July 2010) also projects that industry shipment revenues will climb four percent to an all-time high of more than $182 billion by 2011.

"Innovation in the CE industry is driving consumer enthusiasm, orchestrating a turnaround for our industry and bolstering the overall U.S. economy," said CEA President and CEO Gary Shapiro. "The response to innovative new products like tablet computers and 3D displays, and continued growth of other product categories, illustrate that consumers love technology. The freedom to innovate delights consumers, sustains our industry and strengthens the economy."

The latest forecast increases CEA's estimates for 2010 shipment revenues, last updated in January of this year, by more than $9 billion. The CE industry will see three percent growth in 2010, up from an earlier projection of .3 percent. Much of the growth across the industry can be attributed to a handful of product categories--3DTVs, smartphones, Blu-ray players, eReaders and mobile computing solutions, such as tablets--that will contribute billions of dollars to the industry's bottom line this year.

"The January edition of the forecast was cautiously optimistic about the industry's return to growth this year," said Steve Koenig, CEA's director of industry analysis. "Despite a relatively sluggish first half, these innovative product categories have generated a great deal of consumer interest. As a result, we see a stronger second half demand unfolding, and we anticipate a robust holiday quarter."

The mobile computing category is expected to have a strong 2010 and become the primary revenue driver for the CE industry by 2011. CEA projects that mobile computing, which includes laptops, netbooks and tablet computers, will reach more than $26 billion in shipment revenues by next year. Most of the growth in the computing category will be driven by tablet PCs as more companies enter the marketplace.

As a category, wireless handsets are also seeing continued growth. CEA projects that by 2011, wireless handsets will contribute $26 billion to the industry's bottom line. Smartphones continue to be the key driver, with more than 54 million units expected to ship in 2010, an increase of nearly 31 percent. By 2011, more than 66 million smartphones will ship to dealers, generating $19.6 billion in revenue.

According to the U.S. Consumer Electronics Sales and Forecast (July 2010), digital displays will continue to see major growth with increasing unit sales but slightly less revenue due to fierce pricing competition. Shipments of 3D displays will increase to 2.1 million this year, doubling the original forecast in January, and shipment revenue will top $2.7 billion. By 2011, more than six million units are projected to be sold, generating more than $7 billion in revenue.

U.S. Consumer Electronics Sales and Forecasts 2006-2011 (July 2011) is published twice a year, in January and July. It was designed and formulated by CEA, the producer of the International CES, where these products and trends are first launched. CEA is the most comprehensive source of sales data, forecasts, consumer research and historical trends for the consumer electronics industry. Please cite any information to the Consumer Electronics Association (CEA). The complete report is available free to CEA member companies at members.CE.org. Non-members may purchase the study for $2,000 exclusively at mycea.CE.org.

Marantz Introduces Two New Universal Media Players

2010-07-22T20:13:32Z

Marantz America, a provider of home entertainment solutions, has introduced two Universal Media Players, Models UD7005 and UD5005, both offering universal compatibility with virtually all of today's most advanced video and audio formats. The UD7005 (SRP: $899), which will replace the Marantz BD7004, will be available in September; the UD5005 (SRP: $499) replaces the BD5004 and will be available next month.

Both models feature dedicated audio sections. The UD7005 features a 32-bit Audio DAC w/ analog multichannel audio output, with 7.1-channel Capability. Both models are also equipped with online video streaming through such online providers as Netflix* and YouTube.

Both new Marantz Universal Media Players accept Blu-ray Discs, DVDs, standard and recordable CDs, DVD-Audio, SACD, as well as DivX files in addition to AVCHD (high definition video format for camcorder) contained on discs or solid-state memory devices, and WMA, MP3, and JPEG files from either discs or SD cards. HDMI v1.4 outputs on both models transmit video and audio, and "future-ready" Blu-ray 3D-ready capability. In addition, both players are DLNA 1.5 certified Digital Media Players that offer A/V networking with PC, NAS, HDD-DVDR and music servers. Users also may enjoy online video streaming via Netflix and YouTube, with network connectivity to stream VOD content and as DLNA v1.5 (Digital Living Network Alliance), powering content sharing among connected devices.

Noted Kevin Zarow, Vice President of Sales and Marketing, Marantz America: "Our new UD7005 and UD5005 Universal Media Players are literally 'game changers' in the source component marketplace. Both units are much, much more than simply advanced Blu-ray players. They are 100% future-ready media players that offer today's discriminating consumers an affordable way to take advantage of all today's most advanced high-performance content sources. In addition to supporting HDMI 1.4 and 3D capability, they will play virtually any 12cm digital audio or digital video disc ever created, and provide maximum audio and video enjoyment."

Features Geared Toward Custom-Installation Market

In addition to their performance and content sharing capabilities, the UD7005 and UD5005 are targeted toward integrators for the way they can be retrofitted for installation to existing home entertainment systems. Notably, both units are designed to be packaged as a system with Marantz A/V receivers, providing the same functionality as Marantz' flagship preamp/processor. The IR flasher input and output add system-wide control capability and the Ethernet port allows for firmware updates and RS232 support in the UD7005.

Aesthetics

Both units offer design similarities with Marantz AVRs for aesthetic matching in home entertainment systems. The new slim chassis design (4.1875 inches) is intended to facilitate installation and the contoured front panel features both aluminum and reinforced resin. Custom-engineered feet are designed to reduce vibration and the disc tray sits at the center of the chassis to help protect it on all sides from external influences.

Netflix and other services may require a subscription or other membership.

Additional information is available at www.us.marantz.com.

Marantz Debuts New SR7005 Flagship A/V Receiver

2010-07-22T19:38:40Z

Marantz America, a provider of home entertainment solutions, has announced the introduction of its SR7005, a 7-channel, integrated audio/video receiver that addresses multi-room signal distribution needs. The SR7005, which replaces the SR7002, will be available in August 2010 for a suggested retail price of $1,599.

High-Def Audio/Video Distribution and Content-Sharing

The SR7005 is a 7-channel home theater A/V Receiver (125Wx7 - 8 ohms) that offers three-zone, three-source audio distribution capability and support for high-definition audio and video performance from many digital sources. It includes six HDMI v1.4a inputs with 3D (all mandated formats), as well as DLNA v1.5 (Digital Living Network Alliance) to provide content sharing among connected devices. It supports High Definition multichannel formats such as Dolby TrueHD and DTS HD Master Audio, plus integrates key audio standards. The SR7005 is also compatible with the Apple iPod and iPhone, with iPod Digital Direct via front-panel USB input and external control via Crestron, AMX, Control4 as well as other recently released devices. Notably, the SR7005 features advanced codecs such as the new Audyssey DSX decoding, and its I/O connection and Bluetooth connectivity allow users to wirelessly enjoy files from any Bluetooth-enabled source, including mobile and PC sources such as iPhone and iPad collections, through their home theater system. The receiver decodes the audio of digital files via internal D/A converters, and allows dual operation for iPod playback via the iPod itself or AVR's remote.

Noted Kevin Zarow, Vice President, Sales and Marketing, Marantz America: "The SR7005 is a reflection of where Marantz is headed, as well as how much we have learned from our longstanding heritage in audio leadership. This single-component solution is packed with the latest performance and convenience features and brings together today's most advanced audio decoding and enhancement technologies. Home theater enthusiasts and custom integrators who want a multi-functional, leading-edge component to serve as a home entertainment 'hub' and provide the ultimate in A/V distribution for today and for tomorrow need look no further."

Ways to Enjoy Internet Content

In addition to its multi-zone networking capabilities, the SR7005 offers ways to enjoy more personal content from Internet sources into user's home entertainment systems, allowing for streaming of both Pandora and Flickr, as well as audio and photos directly from their PCs. Users have access to over 14,000 Internet radio stations and a variety of content providers such as the Rhapsody and Napster music services*.

Custom Integration Features

The unit offers custom-installation features like the M-XPort (Marantz eXpansion Port), which delivers Bluetooth reception via the RX101 Bluetooth Receiver (sold separately) and external control options. Also, the unit's DLNA v1.5 powers content sharing among connected devices. The SR7005's Control4 Certification offers compatibility and integration with all Control4 IP-based home automation and entertainment systems, as well as compatibility with Windows 7, offering compatibility with the 'Play To' functionality of the new Microsoft OS. A new front-panel chassis design features a fold-up front panel. The unit also features the traditional circular display and Marantz star, design features that debuted in 1962 on the Model 9 amplifier and continue today in Marantz's Reference Series of components. Along with the aesthetics come technologies such as HDAM's in the preamplifier stage and a discrete output stage with current mode voltage amplifier intended to improve distortion and signal-to-noise performance.

MultEQ XT and MultEQ Pro room correction and calibration technology from Audyssey Laboratories helps to maximize room acoustics for multiple listeners, compensating for speaker and room capabilities by creating a "sweet spot" for every listener in the room. Web and IP Control lets integrators perform system setup and maintenance from a remote location - even potentially fixing a customer problem from their office.

*Some services may require a subscription or membership for use.

Additional information is available at www.us.marantz.com.

Marantz Debuts Two A/V Receivers

2010-07-22T19:09:41Z

Marantz America, a provider of home entertainment solutions, has announced the introduction of two 7-channel audio video receivers, Models SR6005 and SR5005. The SR6005, which will be available in September for a suggested retail price of $999, will replace the Model SR6004 in Marantz' lineup, adding to that unit's feature set with a built-in HD radio tuner, 6 HDMI 1.4 inputs, 7.2 dual subwoofer output and more. The SR5005, which will be available beginning in August for an SRP of $799, will replace the Model SR5004, debuting a new fold-up front panel (which is also featured on the new SR6005) as well as increased power, satellite radio and more. Both new models have been upgraded to HDMI 1.4 (3D/Audio Return Channel), with front-panel USB connectivity for iPod digital, plus upscaling of HDMI to HDMI 1080p video signal.

Noted Kevin Zarow, Vice President, Sales and Marketing, Marantz America: "The
introduction of our new SR6005 and SR5005 receivers represents both a continuation of Marantz' longstanding priority in audio excellence, as well as our commitment to the future of home entertainment with products that not only offer the ultimate in sound quality, but also feature the very latest connectivity and contentaccess technologies, with aesthetically pleasing, uncluttered designs and total user convenience."

Both models provide upscaling of the HDMI signal to HDMI 1080 video signal; the SR6005 features six HDMI inputs, the SR5005 features four. In addition, both the SR6005 and SR5005 feature front-panel USB inputs that are compatible with the iPod and iPhone, and support playback of MP3, WMA and WAV files, and provide playback control via remote (Play, Stop, FF, BWD, Skip Forward, Random and Repeat Play), while showing music track information on the unit's newly designed Graphical User Interface. Both models feature processing and sonic enhancement technologies to increase compatibility with today's sound formats. For example, both support audio bit-streams up to 320kbps, as well as featuring the latest Dolby Pro Logic llz, Dolby True HD, and dts HD decoding. They also feature a full 10-bit video processor that supports an I/P converter for video scaling to 1080p from all analog sources as well as the transcoding of analog signals to HDMI. Both models accept LPCM 7.1 signals from a Blu-Ray player and have dual component outputs as well as DC Triggers and RS232C. Like all Marantz A / V receivers, both the SR6005 and SR5005 offer features and capabilities that will appeal particularly to custom installers. Marantz' new shallower chassis design (<16" deep) makes the units suited to rack-mounting, and additional room on the backside for cabling. A cursor-controlled menu system enables operation. Both models feature Audyssey Dynamic EQ, Dynamic Volume and MultEQ Auto Calibration.

Bluetooth Capability

Like their predecessors in the line, both the Marantz SR6005 and SR5005 are Bluetooth capable home theater receivers, designed to utilize their back-panel M-XPort (Marantz eXpansion Port) to provide access to the Marantz RX101 Bluetooth receiver (SRP: $99.99). Powered by the receiver itself, the RX101 receives audio signals from Bluetooth-enabled devices (PDAs, PCs as entertainment devices, etc.) and sends them directly to the connected receiver. Users may listen to streaming audio from their Bluetooth-enabled cell phones, MP3 players, computers or other devices, including the iPhone and iPod Touch. The RX101 may be placed anywhere in a room for ideal reception of a Bluetooth signal; and because the RX01 also functions as an IR sensor, users can literally hide their Marantz system behind closed cabinet doors and still control it by pointing their remote at the RX101.

Additional information is available at www.us.marantz.com.

Marantz Expands "Slimline" Family of A/V Solutions with Debut of NR1601 A/V Receiver

2010-07-22T18:48:28Z

Marantz America, a provider of home entertainment solutions, has announced the introduction of the NR1601 "Slimline" Audio/Video Receiver (SRP: $599). The 7-channel NR1601, which will be available later this month, joins Marantz' NR1501 "Slimline" A/V Receiver, which will be reduced in price to $399, in the company's family of smaller A/V receiver solutions. Just over 4" high and 13" deep, both units are approximately half the size of most conventional A/V receivers - and the same exact size as Marantz' Blu-ray players.

Noted Kevin Zarow, Vice President, Sales and Marketing, Marantz America: "With their unique 'Slimline' chassis, both the NR1601 and our NR1501 solve a common problem for custom installers and consumers - how to integrate today's most advanced audio/video capabilities into a space-saving home entertainment system without the addition of another large component. Just as importantly, both models reflect Marantz' longstanding audio heritage, offering today's most advanced codecs, providing users with a simple and straightforward way to enjoy superior performance from all audio and video sources, plus a host of integration-friendly features that enable users to take full advantage of today's digital entertainment universe."

The NR1601 features 4 HDMI 1.4 inputs and front-panel USB connectivity for iPod digital. Built-in audio codecs ensure compatibility with audio formats such as Dolby TrueHD and DTS Master Audio, and a built-in transcoder lets users enjoy composite and component video via HDMI with a single cable solution. Nine sets of binding posts, along with Audyssey Audio Calibration allow for installation, and the backlit/learning/system remote control offers ergonomics and command and control, with Flasher Input for CI interoperability. The NR1601's contoured front panel combines aluminum and glass-reinforced resins for shielding. The NR1601, like the new SR6005 and SR5005 receivers, is Bluetooth capable, designed to work in conjunction with Marantz' new RX101 Bluetooth receiver (SRP: $99.99). The RX101 plugs directly into the NR1601's M-XPort (Marantz eXpansion Port) and receives audio signals from Bluetooth-enabled devices (PDAs, PCs as entertainment devices, etc.). The signals are sent directly to the connected receiver. Users may listen to streaming audio from their Bluetooth-enabled cell phones, MP3 players, computers or other devices, including the iPhone and iPod Touch.

Installation of iPhone 3.0 Software Update required.

Additional information is available at www.us.marantz.com.

Marantz Debuts NA7004 Network Audio Player

2010-07-22T18:27:24Z

Marantz America, a provider of home entertainment solutions, has introduced its NA7004 Network Audio Player (SRP: $799). An all-in-one music source component, the NA7004 serves as a digital-to-analog converter for people with large collections of downloaded high-resolution music on their computers or other external storage devices who want to listen through their home audio systems. The company claims that the NA7004's music reproduction capabilities outperform that of conventional CD players, revealing sound that is often lost in file transfer from downloaded music collections, ripped CDs and more.

Noted Kevin Zarow, Vice President of Sales and Marketing, Marantz America: "The NA7004 is the solution to better sounding digital music that discriminating listeners have long been waiting for and will introduce legendary Marantz audio performance to a new generation of consumers who listen mostly to digital music. To create this brand new type of music enhancement product, Marantz engineers utilized all of their expertise in audio enhancement and technological innovation. The result is a product that fully lives up to the legendary Marantz name and audio heritage - an elegant single-component source solution that reveals the full potential of sound quality in digital music, bringing significantly more room-filling power, musical presence and depth to the performance."

The NA7004 is a DLNA version 1.5-certified DMP (Digital Media Player) and DMR (Digital Media Renderer). Users also have access to vast collections of Internet radio stations for playback though a home audio system. Among its features are a USB front-panel input featuring iPod Digital Connection and a back panel M-XPort for wireless Bluetooth streaming with optional RX101 Bluetooth Receiver. The NA7004 also includes access to over 14,000 Internet Radio stations. File types supported include FLAC, 96/24FLAC, WAV, WMA, WMA Lossless, MP3, MPEG-4 and AAC. The USB Audio Sample Rate / Word Depth is up to 96kHz / 24bit, and the built-in D/A converter mode provides 3 digital inputs. (COAX, OPTICAL, USB).

Additional information is available at www.us.marantz.com.