If you are a true home theater enthusiast, you are never truly satisfied with your system's performance. A true enthusiast always wonders, "How can my system be made better?" Some take the smart route of tweaking the equipment they have on hand, or better yet address the room in which their theater resides. However, there comes a point in every gear head's life that the upgrade bug bites and bites hard.Additional Resources
• Read more AV preamplifier reviews by Home Theater Review's staff.
• Explore LED HDTV, Plasma HDTV, or Video Projector options in our review sections.
A home theater receiver is one piece of equipment that most enthusiasts start with in the early development of their system. While an AV receiver is an extremely convenient package, a separate AV preamp and power amp can provide even better surround sound and video processing not to mention better sound quality overall. When shopping for AV preamp, you'll find plenty to choose from if you have a healthy budget. Most home theater preamps will set you back $3,000 to $6,000 and in some instances even more. With the average home theater receiver costing somewhere between $500 and $800, your quest for a dedicated AV preamp may stop here but I urge you to read on.
The Marantz AV7005 Preamp/Processor is a powerhouse, costing a mere fraction of most home theater preamps; retailing for $1,499 there is a lot to love right off the bat. Measuring a little over 17 inches wide by seven and a half inches tall and 16 inches deep the AV7005 is pretty much the same size as your standard receiver though because it lacks an amplifier section it isn't quite as heavy at 22 pounds. The AV7005 features Marantz's new design language and is easily recognizable as a Marantz product thanks to its Spartan front façade that features two large rotary dials, one for input selection and the other for volume that flank the AV7005's porthole style display.
Around back the AV7005's six HDMI v1.4a inputs make the AV7005 3D ready. It has two HDMI outputs, one featuring an Audio Return Channel, and Standby Pass-Through. Audio Return Channel is a feature that I think we will see more of in the near future, for it allows owners of networked displays to stream audio back to the processor on a single HDMI cable. If you have non-HDMI equipped sources or displays, you'll find the four component inputs and two component outputs invaluable. For even older equipment, there are five composite video inputs and two outputs. Marantz left S-Video off the AV7005, but I have long since felt that S-Video is a waste of space on a modern piece of equipment. Sorry, Laserdisc lovers. In terms of audio inputs and outputs the AV7005 features both unbalanced as well as balanced preamp outputs, which include dual subwoofer outs for what Marantz calls a 7.1 plus second subwoofer configuration. There are even preamp outs for height channels as well though they are unbalanced only. There are more analog audio inputs than most would know what to do with including a moving magnet phono input as well as two coaxial and two optical digital audio inputs. In terms of control the AV7005 has RS-232 support, which will allow it to be integrated into an automation or control system from the likes of Crestron, AMX or Control4.
On the audio front, the AV7005 can decode and process anything you throw at it. DTS-HD Master Audio and Dolby Digital TrueHD for Blu-ray as well as Digital Plus, Pro Logic IIz, IIx, II, Virtual Speaker, Dolby Headphone ES Discete6.1, Matrix6.1, Neo:6, 96/24, and Neural Surround. Bottom line, when it comes to surround sound and matrix audio formats the AV7005 has you covered. For your MP3 collection there is Marantz's M-DAX 2, an updated Marantz Dynamic Audio eXpander, which can make compressed music files sound better. Add this with the DNLA compliant Ethernet connection and you are ready to stream music from your home network, Internet Radio, Rhapsody, Napster and/or Pandora account.
Video-wise, the AV7005 includes one of the best upscaling chips on the market, Anchor Bay's 10-bit Video Processor/Scaler. The ABT2015 is Anchor Bay's fourth generation scaling chip, capable of transcoding as well as deinterlacing; all the while scaling any legacy source to 1080p via HDMI for output to your high definition display.
The Hookup
The AV7005 came shipped securely in a double-walled cardboard box. Inside, it was suspended in Styrofoam to protect the corners and wrapped to protect the finish from scratches. Included was, the operation manual, Audyssey setup mic, remote, two AAA batteries and radio antenna. The first thing that I noticed was the size of the manual. It is much thicker than most that I have seen and well worth a read through. I must admit that I usually jump right into a new piece of AV equipment without cracking the manual. This manual, you will want to keep near by. The feature set in the AV7005 is physically deep, and the manual will make it much easier to really tweak your setup.
The remote was a pleasant surprise and had a well-balanced feel to it. The backlit feature makes it easy to navigate while the small LCD window at the top tells you what device you are currently controlling. The remote comes pre-programmed for tons of different AV devices though you can also add your own using the program mode, which is where I was able to quickly setup the remote to control all the gear in my rack. It is also capable of recording and running macros, although I think I will leave that task to my main programmable remote.
Connecting the AV7005 to my Sunfire five-channel power amp was done via five pairs of Transparent Link RCA style interconnects. I found the RCA outputs to be properly spaced for those of us that have bulky connectors on their cables. After connecting the Ethernet and HDMI cables from my Blu-ray player, HD DVR and lastly to my projector it was off to the AV7005's setup menus.
The actual setup could not have been easier. The setup process is automatically launched when you plug in the included Audyssey calibrated microphone to the AV7005's front mounted setup mic jack. The automated setup detects what speakers are connected to the amp, how far they are located for delay purposes, crossover points, speaker levels and overall room EQ. During this setup process I was prompted to sit the microphone at ear level in varying locations within the main seating area. A minimum of three measuring points are required though Audyssey recommends placing the microphone in more than just three listening positions, which I'll discuss later. It took about 10 minutes for the whole process to complete and the results were accurate, at least for my tastes and room. From there all I had to do was rename a few inputs and the setup process for the AV7005 was complete.
One thing that I really like about the AV7005's setup procedure is the way that the on-screen menus are overlaid onto the main video. In the past, setup menus would either be displayed in 480p, requiring an ugly resolution change, or the menu would go to a black screen for the setup process. I found the overlaid setup menu to be a more professional looking. Granted you may not visit the setup often, but this is certainly a more refined way to do it.
Performance
After setup was complete I couldn't help but to jump right into a movie. J.J. Abram's Star Trek (2009) on Blu-ray (Paramount) was nearby so I popped it in - like I was going to wait until the AV7005 burned in. The film's lossless Dolby TrueHD soundtrack offers up just the right mix of wide multi-channel soundstage, wall shaking low frequency effects and plenty of dialogue to properly evaluate the AV7005's prowess as a home theater preamp. After hearing this same film on two different receivers and another preamp, I was pleasantly surprised. The film's soundstage was wide and detailed. The ambient sound especially on board the Enterprise, really give you the feeling of being on board the ship. Compared to my previous AVR, the sound was much more dimensional and realistic.
Featured Audio-Video News
Are AV Retailers To Blame For Lofty High End AV Prices? -
The audio video has been in a state of flux or some time, splitting sales up between specialty dealers, big box stores, and online sellers. However, the dealers may have had more to do with this than they think.
Latest AV Preamplifier Reviews
Home Theater Review's 2011 Best Of Awards -
For a third time, the editorial staff of Home Theater Review have examined the year's offerings in AV gear and decided what they deem to be the best in every category. Find out who is the best of the best.
Cary Audio Design Cinema 12 HD Surround Sound Processor Reviewed -
HomeTheaterReview.com reviewer Sean Killebrew integrated the Cary Audio Design Cinema 12 HD surround sound processor into his system to put it through a series of tests. Read on to find out what the results were.
Integra DHC-80.2 9.2 Channel AV Preamp Reviewed -
The Integra DHC-80.2 is a 9.2 channel AV preamplifier that impressed Andrew Robinson, who had the unit in for review. He threw a series of tests at the DHC-80.2 and it handle them rather well, with only a few drawbacks.
Meridian 861V6 AV Preamp Reviewed -
Home Theater Review writer Ken Taraszka tries out the Meridian 861V6 AV preamplifier in his system. It's safe to say they he was blown away by the performance that the preamp was able to offer.
Onkyo PR-SC5508 AV Preamp Reviewed -
HTR reviewer Brian Kahn puts the Onkyo PR-SC5508 AV preamplifier through its paces in this review. He throws all kinds of sources and content at this preamp. Read the review to find out how the PR-SC5508 handled the test.
Marantz AV7005 Home Theater Preamp Processor Reviewed -
Upgrading the home theater to top performance levels requires the use of an AV preamplifier. According to reviewer Tracy Rainwater, you'd be hard pressed to find one better than the Marantz AV7005 AV preamp
Arcam FMJ AV888 AV Processor Reviewed -
Competing with the big boys of the mid-level AV preamps such as Classe', Anthem and the like, the Arcam FMJ AV888 is a solid performer and one highly valuable to the right user. See Ken Taraszka, MD's review here for more details.
Home Theater Review's 2010 Best of Home Theater Awards -
The Editors of Home Theater Review have extensively searched, reviewed, and now chosen the best of the best home theater and audio gear, HDTVs and beyond. Click through for the winners in each category from the likes of Vizio, Samsung, Sharp and many others.
Cary Audio Design Cinema 11a Home Theater Processor Reviewed -
Cary Audio has a long audiophile history and their newest AV preamp maintains a strong commitment to their past while offering all the new features needed for a modern home theater. Read Sean Killebrew's full review here.
McIntosh MX-120 AV Preamp Reviewed -
While now discontinued the MX-120 preamp was designed for those looking for the best two-channel performance at a budget. For those looking for solid McIntosh stereo performance and HDMI 1.0 switching this could be a good piece to won.


Comment on this article
I'm disappointed when you comment that the Marantz has little competition at its price point, only mentioning the Integra 40.1 when there is the Emotiva UMC-1. The UMC-1 shares many of the same type quality goodies that the Marantz does, has better bass management and many feel it sounds better with music than the Marantz. It is also HALF the price of the Marantz. Whats even more puzzling is the Emotiva is being advertised right on the same page as your review but you seem blind to the fact that it exists.
I guess I'm not surprised because you never review any of the Emotiva products even though they are considered by many in the industry as super value bargains out performing other products costing 3-5 times as much.
Why is that?
Pg
I am the owner of an Emotiva preamp processor LMC1, and I am very pleased with the performance of this Emotiva product and the tech support of the company. I would LOVE to own this Marantz but I do not have that kind of money. I do think Emotiva products need to be seen more by these websites. They are quality. I also own their 5 channel power Amp.
I own the UMC-1 and also have an Denon AVP8000 which is a bit older but it sold for $3500 back in the 90's. The UMC-1 holds up quite well sonically against the Denon and save for firmware issues (which are now resolved), it is a delight to own. In fact over time, I've have acquired (2) XPA-1's, an XPA-2 and XPA-5 (power amps) and a ERC-1 CD player. I think all these products are superb and are well worth their asking price. I would put my XPA-1 (500 wpc) monobloc power amps ($995) up against anything shy of $5,000.00 to $7,000.00 and they would compete quite nicely.
While I like this website, they are truly enamored by the Krells, Classe's and McIntosh's of the world.......Even though "some" of the high end gear has a little secret I really can't talk about.....
They seem to ignore Emotiva - its almost like they are afraid to review their products.... I'd love to see a shootout between some of the Emotiva products and the "esoteric" brands that they gush over here on a regular basis.
Fat chance of that happening...
Pg
I have a Marantz Sr6003 AV and I love it.. This pre/pro is good if your want balanced output at a reasonable price.
The Emotiva UMC 1 is well priced but one can get AV receivers from Marantz, Onkyo, Denon and Pioneer for about the same price with 7.1 + pre/outs.
Those systems mentioned would give users who are looking to get external amps a way to upgrade as money permits. For me, I use my Emotiva XPA-3 (cheaper than the xpa-5) for my fronts and use my Marantz to power the rears.
But going back to the Marantz pre/pro.. this I think is the only real cost effective solution if you want Balanced out to your amps.
Are the preouts really balanced? I believe they are not. The only reason to use the XLR connectors are for noise, usually in long cable runs. There is no sonic benefit. None. For about the same price of the AV 7005 you can have a UMC-1 and a XPA-5 which from a power standpoint will out perform any AV receiver that I know of...... 200 "real" wpc x 5 into 8 ohms and 300 "real" wpc x 5 into 4 ohms. Full bandwidth, all channels driven simultaneously...
No receiver can do that. I don't think the Marantz power amps can either......
Just sayin..... :-)
Porscheguy,
With regards to your comment about Emotiva, everyone here at HTR is well aware of the name and manufacturer -in fact, we're all HUGE fans. First, with respect to the above review I believe the writer said "with respect to price" when talking about competition, obviously the UMC-1 is a competitor however we were trying to keep thing fair by comparing the Marantz to other, similarly priced, pre/pros. If we were to include then UMC-1 into the argument at nearly half the price then we should also include Integra's 80.2 or perhaps even Anthem's offerings. It was an editorial decision and not one designed to slight Emotiva in any way.
As for this websites lack of Emotiva reviews I can assure you and everyone reading this it's not for a lack of trying. Several times we've had Emotiva reviews lined up but due to product cycles (Emotiva tends to surprise us with new gear more frequently than others), updates (firmware, version 2s etc) and/or scheduling conflicts reviews have fallen through or been pushed back.
Another factor that has kept us from doing Emotiva reviews is the sheer fact that their products ARE so popular they've simply run out of stock. I can't fault a company who would rather make sure all their customer orders ship first rather than drop everything to make sure a freeloading reviewer (jk) can have their free preamp for a few months.
We continually work with Emotiva and never stop requesting their products for review for we know that many of you like the brand and have their products but sometimes we can't always get the gear we ask for.
Best,
Andrew Robinson
Managing Editor
I appreciate your candor and look forward to your reviewing some of the Emotiva product line. In particular the XPA-1's. They have no peer in the monobloc world at $995.00. They are detailed, nuanced, dead silent and fully balanced to boot.
I'd love you to compare them them to a big dollar Krell or similar product - you would be surprised....
Best!
Ed
"porscheguy"
There is no product I want to review more than Emotiva's XPA-1 monoblocks.
Best,
Andrew Robinson
Managing Editor
From Marantz site http://us.marantz.com/us/Products/Pages/ProductDetails.aspx?CatId=AVSeparates&SubCatId=0&ProductId=AV7005
The unit has both balanced and unbalanced connections.
I did not mean to imply that the power of a receiver could really match that of a dedicated AMP(unless its the really expensive stuff).
Let's suppose your getting into the home theater game. You don't have a lot of money ($800) for the AV components and about $1200 for a 7.1 speaker setup. You got your speakers so the $1200 is gone. Now you have $800 to spend and you buy the UMC-1...hmmm how are you gonna power your speakers? You don't have anymore money to spend. You'll have to wait another 8 months to scrape up another $800-900 to get a an XPA-5... Great... You're home theater is currently useless.
But if you had purchased an Onkyo TX-NR808 for about $650.. You can still power your speaker and have a working 7.1 home theater. Then later, you can pickup that XPA-5 and (2) XPA1's when money comes in.
porscheguy,
If you're gonna ask for such a comparison review (Emotiva XP1 vs a Krell Mono block) then you'll need a review site which uses measuring tools to see the hard numbers to show which amp falls short in things like: Power Bandwidth vs Distortion, Frequency Response, Amplifier Power & Efficiency, FFT Distortion Analysis, etc, etc, etc..
Make it be clear... I'M NOT KNOCKING HOME THEATER REVIEW at all. It's a great site. They review equipment differently from the other sites I visit.. I want no misunderstandings...
Well if your on a tight budget, you have no choice. But $1700 buys a UMC-1/XPA-5 combination and that less that a lot of receivers at Best Buy. That was my point. Make sure you get that XPA-1's :-). Compare that to the AV7005 and MM 8003 at $4000.00 and the Marantz duo cannot make the power that the XPA-5 can........at more than twice the price!!
As to balanced out's, they have no sonic merit and are only truly balanced when used with a fully balanced amp like the XPA-1's
Porscheguy,
"Well if your on a tight budget, you have no choice. But $1700 buys a UMC-1/XPA-5 combination and that less that a lot of receivers at Best Buy"
LOL, dude.... I hope you don't buy your gear at Best (rip-off) Buy.
Balanced outs are mostly used for long runs but just suppose your setup is noisy because you have a lot of EMI and RFI contamination going into your system. Even in short runs, balanced can help reduce the noise.
Besides Xlr looks so much grown up and cooler than standard RCA connectors :D
What I would like to see is another (maybe 2 or 3) other companies give Emotiva competitions it terms of Price and performance. Outlaw is the only other brand with reasonable prices but still more expensive than Emotiva gear. But when you buy Outlaw, you buy AMERICAN made..
"God Bless America,
Land that I love.
Stand beside her, and guide her
Thru the night with a light from above.
From the mountains, to the prairies,
To the oceans, white with foam
God bless America, My home sweet home."
all in good fun...
I agree with Andrew's comments about Emotiva. They offer stellar performance and value, and the UMC-1 is an outstanding value in the preamp market. I wish I had the opportunity to hear one first hand.
For the purpose of this review, I tried to limit my comparison to other products similarly priced. Granted, the UMC-1 is only $800 less than the AV7005, but at $1499 for the Marantz, that's almost half the price.
I do think it's great that we are having this conversation. I find that any time a manufacturer provides a product that combines both performance and value, you tend to get some polarized opinions. You can read my thoughts on Emotiva's power amps here. http://www.hometheaterspot.com/showtopic.php?tid/145302/
Back to Marantz, it too falls into the value + performance category. I think that anyone looking to get into separates will find this product more than capable. It was pretty gutsy for Marantz to release the AV7005 at a lower price point than its predecessor. I hope that this is a shift in thinking, across the board, from all AV manufacturers. We all may have dreams of owning Krell or Classe preamps, but the AV7005 helps to fill a void that has been largely ignored by most preamp manufacturers.
Thats my point kevon. Look what you can buy for quality when you stay away from Best Buy. While I agree that Marantz makes nice stuff as do Denon and others, you pay a lot more for it because you have a dealer in the middle who is only too happy to take a 50% commission for handing it to you.
The Marantz stuff would be half as much if they sold direct. As to you claim about China, if you thew out everything you owned that was made in China, your house might be pretty empty.
If you want to pay 3-5 times as much for US/N.American made products that are exactly the same you should - I won't stop you.
$7000.00 for an Anthem processor? Great piece but does it perform 10 times better than the UMC-1? Hardly.
Not to be picky, but the Integra 80.2 "which really just gives you 9.2 surround sound processing and Audyssey's MultEQ XT32 all for $2,300" is set apart from the 40.2 by some pretty substantial upgrades. Balanced outputs and 4 independent power supplies along with better DACs, to name just a few. Granted, it's in a different price class.
Post a Comment
You are encouraged to post your comments using Facebook on HomeTheaterReview.com. Simply sign in to your Facebook account below and post away.