The A/V receiver market is hotter than ever, with nearly
every manufacturer from the high end on down offering an all-in-one feature-laden,
HDMI-loaded solution for consumers. Yet the larger consumer brands, such as
Sony, Denon and Marantz, to name a few, are able to do what many of the smaller
or even higher-end brands cannot: keep performance high and costs low. In the
case of the Marantz SR6003 A/V receiver, the performance is off the charts and
the retail price, $999, is phenomenal, considering that less than a year ago, a
similar receiver, even from Marantz, would have been twice as much.Additional Resources
• Read more HDMI receiver reviews from the likes of Sony, Marantz, Integra, Onkyo, Sherwood and more.
• Read a Marantz SR-7005 receiver review here.
The SR6003 takes its styling cues from the new Marantz AV8003 processor, in that it is crazy, sexy, cool and built like a brick well-you-get-the-idea. The SR6003 is stunning, with its black on black textured façade accented by its symmetrical tuning and volume knobs and clear-as-day FL display. The SR6003's manual controls are conveniently hidden from view behind a standard trapdoor and the normally obnoxious NASCAR-style logo lineup rests not on the face of the SR6003, but along the top edge. The slightly curved edges of the SR6003 look phenomenal in a custom rack configuration, such as a Middle Atlantic rack putting the SR6003 in the looks department next to Classe, Krell and Mark Levinson. Another thing you'll immediately notice about the SR6003 in terms of looks is its overall dimensions, which are compact, to say the least, measuring a little over 17 inches wide by nearly seven inches tall and 15 inches deep. The SR6003 weighs a total of 29 pounds, making it easy to fit and maneuver into spaces where few receivers can go.
Around back, the SR6003 is cleanly and uniformly laid out, with the usual list of legacy and digital inputs and features. The SR6003 is a seven-channel receiver, yet there are nine speaker inputs and two sets of main speaker binding posts, labeled Front A and B. The SR6003 puts out a robust 100 watts per channel across all channels, so unless you have a massive room or hugely inefficient speakers, you should be good to go. If more power is what you crave, the SR6003 has a full set of 7.1 preamp outs for use with an outboard amplifier. The SR6003 has three HDMI 1.3a inputs and two HDMI 1.3a monitor outs. All legacy video connections, whether analog SD or HD, can be converted and/or upsampled to digital 1080p via the SR6003's HDMI monitor out(s). The dual HDMI outs are a hugely beneficial feature, though the SR6003 cannot output two HDMI monitor streams simultaneously, but toggling between outputs one and two is simple and straightforward. Other notable features located on the SR6003's back panel include RS-232C support and Sirius and XM satellite radio inputs, as well as dual 120-volt AC outlets and a detachable power cord.
Under the hood, the SR6003 is as full-featured as they come, especially considering its sub-$1,000 asking price. For starters, the SR6003 has both Dolby TrueHD and DTS Master Audio capabilities, not to mention support for countless other surround sound formats. The SR6003 features Audyssey's latest MultiEQ calibration and room correction software, which seems to get better with every inception, with the SR6003's version being among the best yet. The SR6003 features a 10-bit video converter to help scale SD and HD sources to its HDMI monitor outs. I have to assume the SR6003's video processor is either proprietary or an OEM design for Marantz, since there is no mention of an Anchor Bay, Gennum or Faroudja-based chip set. While it's not uncommon to find a third-party video processor in a receiver costing a grand or so, the unnamed processor found in the SR6003 is more than capable when it comes to performance. Lastly, the SR6003 features a front-mounted (albeit behind the trap door) USB port for use with portable music devices, such as iPods.
This brings me to the SR6003's remote. The shape and size of the SR6003's remote is good and a departure from the usual bigger than thou remotes found on similar receivers. The buttons are a bit on the small side, though they are fully backlit via the touch of a button. There is a small LCD screen at the top of the remote, letting you know what function and/or features you are accessing, but all controls are hard buttons. All in all, I like the remote and consider it a class leader, though it is hugely directional and not very powerful at a distance.
The Hookup
Installing the SR6003 into my reference system was about as
easy as one could hope it would be. I was an HDMI input short, so I had to skip
connecting my Toshiba HD DVD player for the time being. I could have connected
it via a set of component cables and analog audio cables, but I've barely used
it in the past six months, so I didn't bother. Due to the SR6003's rear panel
layout, cable clutter is kept to a minimum, and the shallow, compact chassis is
a huge benefit, even though I have the room to accommodate much larger
components.
The onscreen GUI (graphic user interface) is superb and intuitive and negates the need for the manual altogether. The SR6003 responded promptly to remote commands, provided I was within a clear line of sight, and the Audyssey EQ process was a snap. The SR6003 bested my former reference receiver, the Onkyo 805, in terms of set-up ease and simplicity by a wide margin.
Performance
I kicked off my evaluation of the SR6003 with some music,
though I bypassed traditional CDs, opting instead for the Blu-ray release of
John Mayer's Where the Light Is: Live in Los Angeles (Columbia). I set the
disc's internal audio settings to stereo and cued up the track "In Your
Atmosphere," which features Mayer flying solo with his acoustic guitar. The
SR6003's two-channel music performance was superb and had me grinning ear to
ear at just how astounding the sound quality was. Mayer's vocals were rich,
warm and carried an appropriate amount of weight and air, making for a very
believable and dimensional performance. The solo guitar was lifelike in size
and had a sort of sonic "oneness" I don't normally associate with receivers in
the SR6003's price range. The SR6003 isn't bright or punchy the way a Yamaha or
Sony receiver is, nor is it dark-sounding like an Onkyo. The SR6003 definitely
has a sound, though I found it to be somewhat middle of the road compared to
other receivers, which suited me just fine. It is among the more analog and
old-school-sounding receivers I've come across, though has enough spank on tap
to surprise you. Spatially, especially for stereo playback, the SR6003 proved to be a juggernaut. The soundstage width and depth was impressive and at times created
a nearly surround sound performance in its own right.
Continue reading about the SR6003 AV receiver strengths and weaknesses on Page 2.
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Comment on this article
I wish my 8002 had the scaling in these new models!
Ken
I also have an 8002 and have been pleased with its performance. If the new 03 series of receivers can maintain the sound quality of the 02, the sound quality combined with the feature set should make them a stellar choice for those who value performance.
Brian
People buy Marantz receivers on sound. They are built really nicely but often don't have ALL of the bells and whistles of the cheapie receivers but what they lack in one extra HDMI input - they make up for with some drastically better sound.
j
I assure you the SR6003 is every bit a Marantz sounding product. It's more analog sounding than just about any other receiver out there in the marketplace today. I had to send it back so that another writer could review it but oh do I miss it so. If it had four HDMI ins and 2 outs it might have been the perfect budget receiver for me.
Andrew
When I was receiver shopping, I had had several Denon's and reviewed the Marantz 8001 and really liked it, I almost didn't get the Marantz as it didn't have 1080p video scaling, but decided in the bedroom I could live without it. I know/knew they would likely come out with it in the next generation, but I needed a receiver then.
I am still very happy with the sound of the unit, and it is currently where my turntable lives, until I buy one for the main rig..........
I almost went with a different receiver for the scaling alone but decided in my bedroom I could live without scaling, and I never regret the Marantz!
Marantz, that name brings back the early days of audio. Marantz, Scott, and Mcintosh tube amplifiers. Great sound, warm and plenty of oozing bass. Despite some of the low points mentioned here, this is a great receiver. And its very good to see a company that has been around as long as Marantz has, to still be at the top of its game with all the ups and downs that come along with longevity.
If these receivers, sound anything like their new separates, I would put them at the top of the home theater receiver chain.
I always remember SAE as well when I think of older audio gear!
I have a Marantz model 18 with its SR18 remote. I got it at half price ($1250) because it was returned to the dealer after the buyer got a consulting AV person who had different ideas. The performance of the 18 is awe-inspiring; it has 5x 150 watts with 8-ohm loads, though at the present time I use four of its amp channels--two in bridge for my double 18" 2245H subs in custom 30 ft enclosure flat to 14 Hz, and two for a pair of JBL L250 towers that can easily hit 120 dB broadband without clipping the 18. The preamp's five outs drive five biamped JBL LSR6328p studio monitors which contain 250 watts of biamp power inside.
There are some issues I would caution about Marantz in general, and this receiver in particular. When power fails the receiver loses ALL its settings, stations in the tuner, and input assignments to the digital and analog inputs, and has to be reprogrammed ten times a year here. A UPS is not available at reasonable cost that can supply the current demands of this 110 pound monster. The SR18 remote drains its four AA batteries in a few weeks, its mute button no longer functions and it is the most arcane and tiresome to program and use remote I have ever seen, with a display that is just short of unreadable without walking to a downlight and turning it on. Lastly Marantz itself exists only in the ether. Yes, they have a web site, but all attempts to communicate with the company are futile, the product is complicated and it's difficult to impossibe to find repair facilities even here in the Hollywood CA area that will even discuss working on such a piece with so little corporate support, literature or contact available.
All in all, I would always recommend powered loudspeakers from a solid manufacturer who is LOCAL enough to take or send and receive via UPS or FedEx, and a tuner/preamp or receiver that can likewise be repaired locally. Unless you're so rich that you regard your AV guy whose name you don't know the same way you regard the other guy whose name you don't know who replaces your tropical fish, this stuff represents a good chunk of your disposable income, it supplies a good portion of your relaxation and entertainment hours, and it can be high on your annoyance list if it becomes problematic, so we might all consider discussing reliability along with other aspects of the gear we love.
This is so great that you love your components this much.
Truly - what its all about.
I have a Marantz SR-5600. And i have no regrets is buying a Marantz. The performance is awesome! i just got it last July 16,2009. And paired with a JBL SCS260.5 + a pair of back surround speakers. to make full use of 7.1. Best buy ever!
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