Mark Levinson No. 53 Monaural Power Amp Reviewed
- By: Jerry Del Colliano
- - Reviewer's System
- Category:
- Audio Reviews, Equipment Reviews, Stereo Amplifier Reviews
- Resources & Links:
- Digital Amplifier (Class-D or Switching) ,
- Mark Levinson ,
- Monoblock Amplifier
- December 3, 2008
You know how I know that the Mark Levinson No. 53 power amplifiers are really, really good? No, it's not that they have the Mark Levinson brand on their faceplates or that they cost a whopping $50,000 a pair or that they blew my fragile little mind at a private audition. It's because a handful of industry executives, who have every reason to hate the amps because they sell competing and obnoxiously expensive audiophile amps, can't stop raving about the Mark Levinson No. 53. Heartfelt compliments from your most enthusiastic competitors are a very good sign for future success.The Mark Levinson No. 53 mono amps are designed to replace the historical Mark Levinson No. 33 reference monoblock power amps, which were both physically huge and ultimately somewhat unreliable out in the field. The Mark Levinson No. 53 is a much smaller tower-style design that, under the hood, goes in a new direction. You might be happy to know that the Mark Levinson No. 53, which weighs about as much as a Toyota Prius, is a hybrid digital amplifier design, which means it melds a traditional class AB or class A form with the quiet, clean sound of today's best digital amps. And no, Mark Levinson is not using a B&O Ice amp in their No. 53, like so many others in the digital amplifier market do today. The Mark Levinson No. 53 highlights a new amplifier design called Interleaved Power Technology (IPT), which is likely to trickle down the Mark Levinson line in years to come as it aims to bring the best of both worlds together in one amp.
High Points
• The Mark Levinson No. 53 is the Reese's Peanut Butter Cup of the ultimate audiophile amplifier world, as it brings the best of two things together in one product. In the case of the Mark Levinson No. 53 amps, you get the clean vast power of a digital amplifier with the weight and balls of a class AB amp design. Nobody has brought this to the high end before.
• The Mark Levinson No. 53s are smaller and more reliable than the No. 33s and replace the need for the Mark Levinson No. 33 amps for nearly all consumers worldwide.
Low Points
• The tower configuration of the Mark Levinson No. 53 amp makes it hard (if not impossible) to sell to the non-audiophile who doesn't want big amps on the floor next to his speakers. Yes, it will go over well in Tokyo, but in the United States, people who can actually afford Mark Levinson No. 53s (like Bentley driving, NetJets flying fat cats, a.k.a. the ones who are actually buying stocks in a very down market) would likely want to hide them in a fan-cooled equipment rack. Harman needs to engineer a rack-mountable version of the amp, much like their Mark Levinson No. 436 monoblocks.
Conclusion
Before you make some "I-get-my-audiophile-news-from-some-computer-lover-website-written-by-a-dorky-GenY-kid-who-graduated-college-18-months-ago-and-thinks-a-$199-Blu-ray-player-is-expensive" joke about the price of the Mark Levinson No. 53 amplifiers, you need to appreciate just how insanely good they sound. Look up your local dealer and make sure he is getting a pair and, even if you show up driving a car that costs less than the Mark Levinson No. 53s, make an appointment to hear them. Along with the Halcro dm58s and Krell's Evolution 900 power amplifiers, the Mark Levinson No. 53s are a must-hear and set a benchmark for performance that you need to experience to believe.
Keywords
Mark Levinson No. 53, Mark Levinson No. 53 reviewed, Mark Levinson No. 33, Mark Levinson No. 33h, Mark Levinson No. 436, Mark Levinson power amps, Levinson amp reviews, Harman Specialty group, Hybrid digital amps
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Comment on this article
3I can't wait to hear these, I've been drooling over them since they first showed them a year or so ago.
Umm, Is it Class AB and ... within a Reference Quality level product?
With the exception of the BDP-S1 (I also have the S7700 and S7000 for comparison) in both of our main systems (yes I know we are reviewing audio) SHOULD a con for this level of product be that it can't fit into a equipment rack? I use the Krell 250Ms and would I consider putting them in a rack? If I had 6 of them (5.1 setups), I think tornado like forces would have to be moved to keep them cool under stress. Also, with the flatness of freq of the 53, are the Transparent speaker and interconnects with Xovers within your setup overkill the reason for a ML 53? Sorry, I have the AlphaCore flat coppers (with custom gold plating over copper ) and Acoustic Zen XLRs (1/2M) also the 1Ms/ RCAs. Oh, if we look under the covers why with such a large surface area does ML consider this product to "maintaining a constant, thermally-balanced operating temperature", then why do we care? Does working cooler make it sound better? These are amps designed for the front pair of speakers within the stereo world and maybe some trickle-down can be done for the Multi-channel amps without fans?
No, I don't know how one SHOULD review this product? Actually maybe, drive the most inefficient speakers. Maybe subs (maybe my main speaker subs at about 2ohms at over 100db), in a closed room and see if this thing thermally shuts down. Why does the 33H have a SN of 105 at full output while the 53 has 80 at 1 watt? Are these numbers better than my older 250Ms? So, some comparison with the 33 and/or the 33H would (be) have been nice. But yes, a high-end pre (ML 32) in the mix would be nice, but how far into the diminishing returns are we with this product more than the 33s or my 250Ms? I think my pre (Krell KRC-HR) is my weak-link. So, a review of this product IMO really needs to be what can be built at the say $500k price point and what would be the diffs of that and the $250K price point. Oh, and in reality IMO my CDs and player are really the weak-link because they don't do 40K oversampling and deal with a much smaller bits per sec rate of data than what could be accomplished with todays state-of-the-art data rates.
And for the curious part of my system is the vintage self modified Infinity IRS Betas (custom mid xovers by WIMA, Solen, AlphaCore, etc) (mids driven by the 250Ms or VTL MB 450s) with 8 servo sub channels of Genesis power and/or the Carver Research Lightstar 1 amp. Yes, I have two plus sets of these speakers and.. the Martin Logan Logos center and ML Quest rears, and Revel Gems and Wilson Audio Watts and .. My video is the 50" 1080p plasma Pioneer Elite Kuro.with a pair of Salamander uprights on a simple custom maple stand. Lastly, I do own a older vintage Mark Levinson 23.5 amp (505Watts at 1% on 9/91 by Stereophile) driving the rear Quests.
And still if this product is close (or better) to the 250Ms or 33s or ... , a audible difference is unlikely.
After reading this "review" i was not sure if the reviewer had ever heard them. I don't see any mention to how they sound other than "...you need to appreciate just how insanely good they sound".
How do they sound?
I guess i need to dig around more, after looking at this "review" and the ML web site i missed what the THD and IM distortion is.
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