Let's talk about 'cool'. Normally, this is something that eludes the pages of hi-fi magazines because audiophiles are nearly unique* among enthusiasts and anoraks in our resolute joylessness. Even Roy Cropper on
Well, frankly, I'm sick of this crap. It's about time you lot remembered that audio is about music and music is about - bottom line - pleasure. Or have you forgotten what it's like to buy a piece of gear simply because you like it? Have you been hounded so viciously by the audio equivalent of the politically correct that you can't bear just to switch on a system for fear of not allowing it to warm up sufficiently? If you simply cannot rid yourself of this angst, then you will hate the Chord ONE CD player, which is, undeniably, an absolute hoot. Straight out of the box. Why? Because it's cool. As in genuine Ray-Bans, a piano player in a New York bar, Dino's cuff links, a wet shave at Trumper's. Seriously cool.
With the ONE, Chord has come a stage closer to a true 'entry level' Choral system because - let's face it - �4750 for the least expensive pre-/power amplification combo ain't cheap. When Chord fits an integrated amp into the now-familiar Choral chassis, for, say, �2495, they will have - with said integrated and the ONE - the niftiest small-footprint system since the 'chocolate bar' Meridians of a million years ago.
Before you rub your hands with glee, the ONE is
Let's look at what you do get. The ONE employs the exact same professional die-cast Philips CD-Pro2M CD mechanism and isolated top-loading arrangement as the Blu CD transport. Inside is the latest AKM 4384 24-bit 192kHz 2-channel device to provide the digital-analogue conversion. A fully-buffered, true balanced analogue output stage ensures the best possible musical performance, accessible via proper XLR balanced analogue outputs; you will find, if you have a pre-amp with balanced inputs, that this mode offers superior sound, especially for its sense of 'air' and seemingly tighter bass. The ONE also provides RCA phono outputs for systems lacking balanced operation, plus a BNC socket for SPDIF coaxial digital output.
Here's where you see Chord sticking to its guns, despite the demands of the market. It lacks both TOSlink optical and RCA phono coaxial digital output, simply because Chord's engineers are adamant that BNC is the best means of ingress and egress for digital signals. Obviously, the ONE can also be upgraded by adding the DAC64. Chord makes it clear that, although the ONE shares a lot with the Blu transport, it has little in common with the zero-compromise DAC64, so here's where the cost difference is realized. The ONE dispenses with all of the frills, and a bit of the performance. But using it feels just like you're playing with a Blu.
See what I mean about the Porsche Boxster analogy? Yes, a 911 will blow your socks off. But a Boxster will at least lower them to your ankles. Ditto the ONE versus its two-part sibling. What they share most obviously in common is that huge, hinged lid - a rare occasion when I don't puke at the thought of a top-loader. The only thing that would make this aspect of the ONE even cooler is motorizing its operation. Chord says they're studying this, but it will add to the price.
A lot less cluttered than the Blu, the ONE places its minor controls and keypad on a substantial, all-metal remote control. And as it costs a lot less, many of you who covet a Blu might opt for the ONE instead just as to use a transport. Chord left the top plate clean save for the minimum number of buttons to control all transport functions, seven in a row and therefore prettier than a Blu. Above them is the blue-lit display, to the right the aforementioned lid. Damn, I love that lid, straight out of Jules Verne. You expect to hear the hiss of a vacuum lock when you close it. It makes you feel like you should be wearing a Panerai or Rolex Submariner wristwatch in order to be allowed to use it.
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