The NS-P502Q-10A is a 50-inch 1080p native plasma display measuring in at 48 inches wide by 30 inches tall (without the included stand) and three inches deep (without the stand) and tips the scales at 76 pounds. The NS-P502Q-10A features two HDMI inputs as well as a built in HDTV tuner for viewing HDTV signals via airborne signals though you'll need an antenna or digital set top box to take full advantage, both of which are sold separately. In terms of other inputs, the NS-P502Q-10A plays host to a single composite video input along with two component video inputs. The NS-P502Q-10A has a reported 30,000:1 contrast ratio, in Dynamic mode, as well as a 1,000/cd/m brightness rating into its 600Hz refresh rate screen. Internal video processing is not named but the NS-P502Q-10A does offer 3:2 pulldown (don't all displays these days?) and a 3D Y/C digital comb filter which is said to deliver state of the art detail and color enhancements on film based sources. The NS-P502Q-10A is Energy Star qualified, which will save you a bit at the meter over older or previous generation plasma displays but for the ultimate in savings you're going to want to look at an LCD or better yet, an LED-based display. The NS-P502Q-10A has (2) 10 Watt built-in speakers with SRS TruSurround HD processing to emulate a surround sound movie experience, which is surprisingly effective though it won't completely envelope you the way five speakers and a subwoofer can.
In terms of performance the NS-P502Q-10A is pretty much average in almost every regard; performance akin to first or second-generation plasma displays versus those available today. A Pioneer Kuro competitor the NS-P502Q-10A is not, for the image is fairly noisy and showcases digital artifacts even with Blu-ray source material. Black levels are better with the NS-P502Q-10A over Insignia's LCD based HDTVs but still not on par with what you'll get from Vizio or Panasonic, causing some film based material to appear a bit washed out. Colors are nicely saturated and definitely pop, though they're not the most sophisticated nor are they able to be reigned in through calibration the way you can with costlier sets. While primary colors may be well and good via the NS-P502Q-10A, it's the subtleties and transitions between the shades that cause the NS-P502Q-10A some grief, with noticeable banding and an overall lack of dimension throughout, if I'm honest. White levels are very bright though a bit prone to blooming and can easily display digital artifacts within, especially during rapid fire scenes and/or camera pans like those you'd see in a HDTV broadcast of a sporting event.
Read about the high points and the low points of the NS-P502Q-10A on Page 2.