Living Sounds Audio (LSA1) Statement Monitor Reviewed

Published On: March 22, 2012
Last Updated on: October 31, 2020
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Living Sounds Audio (LSA1) Statement Monitor Reviewed

Terry London was on the hunt for a reasonably priced bookshelf speaker that would deliver on the performance aspect as well. He found it in the Living Sound Audio LSA1 Statement Monitor.

Living Sounds Audio (LSA1) Statement Monitor Reviewed

  • Terry London has always had a great passion for music, especially jazz, and has amassed a collection of over 7,000 CDs covering the history of this uniquely American art form. Even in his teenage years, Terry developed a passion for auditioning different systems and components to see if they could come anywhere close to the sound of live music, and has for the last forty years had great fun and pleasure chasing this illusion in his two-channel home system.
    Terry is a practitioner of Rational Emotive Behavior Therapy by day, and runs the Chicago Institute for REBT. He has also authored nine books on this of type psychotherapy and education.

Living_Sound_Audio_LSA1_bookshelf_speaker_review.jpgRecently, I have had many of my friends who are serious music lovers ask if I could recommend a stand-mounted speaker that would provide excellent performance and fit two criteria: first, the pair would cost less than $2,500 and, second, the footprint of the speaker would be minute enough to fit in a relatively small acoustic space. I listened to five highly regarded mini-monitors that fit the physical requirement along with the price point, but none of them really impressed me with their sonic performances. Then I finally auditioned the LSA1 Statement Monitor at $2,149, which simply performed at a much higher level than the other two-way stand-mounted speakers I had auditioned to date.

Additional Resources
• Read more bookshelf speaker reviews from
• Explore subwoofers in our Subwoofer Review section.
• Find an amp to pair with LSA1 in our Amplifier Review section.

The Statement measures 13.5 inches tall by eight-and-three-quarters inches wide and 14.5 inches deep. Each speaker weighs 24 pounds. The pair I reviewed came in a very attractive Rosewood veneer, though Black Ash is also a standard option. Each speaker has rounded sides, so there are no parallel surfaces, as well as a rear port to help augment its low-end performance. Dual binding posts are provided for bi-wiring. The reported frequency response is 42Hz to 40KHz, with a rated sensitivity of six ohms with an efficiency of 88dB.

Living Sound Audio produces three different versions of this monitor, with the statement being the reference model, which is the most expensive in the line. In the Statement Monitor, the upgrades include the following: a massive 12-gauge flat wound air core inductor in line with the six-inch midrange/woofer, a folded ribbon tweeter from Aurum Cantus, a totally rebuilt crossover with Auricaps, Mills wire-wound resistors and, lastly, an unspun lamb's wool thread for internal damping. The Statement Monitor uses very high-quality parts, and a lot of creative engineering went into the design of this speaker.

There were three aspects in the sonic performance of the Statement Monitor that impressed me very much. For a small speaker, the extension, along with the impact and tonality of the bass frequencies of the Statement Monitor, was quite amazing. When I played Rimsky-Korsakov's The Snow Maiden: Dance of the Tumblers (Telarc Digital), the foundation of the orchestra was there, not just a thump, but a deep and clear representation of the lower octaves of the orchestra. In many speakers that try to integrate a ribbon tweeter and cone driver, there is often an apparent audible difference in the speed between the two drivers. In my opinion, the Statement Monitor's two drivers worked in a totally seamless relationship that led to a beauty both in micro details and accurate timbres. This is one very transparent speaker that offers clarity and liquidity to the music. In listening to Peter Gabriel's "Don't Give Up" (Geffen Records), it was easy to hear the background singers whispering behind Gabriel's lead vocal. The tonality and timbres of all the voices were rendered in a very natural and easy way. When I listened to other highly-regarded two-way monitors, I was often aware that the soundstage appeared big and layered, but the players on that stage seemed to be miniaturized compared to what they sounded like in real life. Lastly, the third superlative aspect of the Statement Monitor's performance was the images and players that it created, which were quite life-sized and three-dimensional. An excellent example of this would be Ike Quebec's Soul Samba-Bossa Nova (Blue Note Records) and his big tenor saxophone's rounded tone and size on this record. Unlike other mini-monitors that shrunk him down in size, the Statement Monitor kept Ike's saxophone the right size and the right dimensions. Yes, like all great-performing small two-way stand-mounted monitors, the Statement Monitor provided a big soundstage with excellent layering. Center fill was deep and dense, and the speakers just disappeared. The LSA1 Statement Monitor offered what all other high-quality monitors had to offer, along with the other sonic virtues that I mentioned above.

Read about the high points and low points of the LSA1 Statement Monitor on Page 2.

Living_Sound_Audio_LSA1_bookshelf_speaker_review.jpgHigh Points
• The Statement Monitor offers great dynamics and accurate tuneful bass in comparison to other speakers its size.
• The Statement creates a big, wide and high soundstage, with excellent layering throughout.
• The Statement Monitor creates life-sized images that offer a more realistic portrayal of players, in comparison to other small two-way stand-mounted speakers that I've auditioned.
• The Statement Monitor can play any type of music with great kick and micro-dynamics and especially renders voices with great natural beauty.

Low Points
• Like all reference-level two-way monitors, the Statement Monitor needs high-quality stands in order to perform to its highest level.
• The Statement Monitor is very easy to drive, but because it offers such a high level of transparency and clarity, it's important to use high-quality up-stream gear, including solid front-end components, DACs and more. The additional cost either now or in a future upgrade will pay significant dividends.
• The Statement Monitor sounds its best when it is bi-wired, so an extra pair of speaker cables is needed.

Competition and Comparison
In this price bracket, around $2,300 for two-way stand-mounted speakers, the major competitors would either be the Harbeth p-3ESR, which is valued at $2,095, or the Paradigm Signature Reference S1, which retails for $1,998. Both speakers are very musical performers and offer a high level of performance. But when it comes to creating a tuneful and powerful foundation for large ensembles, the accuracy and correct timbres of voices and letting the listener hear effortlessly/naturally the little details of the music, I believe that the LSA1 Statement Monitor edges the other speakers out to a considerable degree. For more on these speakers and other bookshelf speakers like them, please visit Home Theater Review's Bookshelf Speaker page.

I give my compliments to LSA Audio for creating a very high-performing and creatively designed reference-level monitor for an incredibly reasonable price. If you're a music lover with a small acoustic space and want a two-way, stand-mounted speaker that will allow you to relax and enjoy the pleasure of your music collection, you would have to spend triple the amount to get a speaker that would out-perform the LSA1 State
ment Monitor speaker. I highly recommend you put it on your audition list.

Additional Resources
• Read more bookshelf speaker reviews from
• Explore subwoofers in our Subwoofer Review section.
• Find an amp to pair with LSA1 in our Amplifier Review section.

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