Editor's note- we are experimenting with a new content format - first we have a summarized and shorter version of Greg's review. Skip to the bottom for a complete and detailed experience using this processor.
Lyngdorf Audio's MP-60 2.1 stands at the pinnacle of audiovisual surround sound processors. With a retail price of $14,999, it's a premium offering that doesn't disappoint. This 16 discrete channel immersive surround sound processor boasts the latest HDMI 2.1 feature set, making it 8k-ready and truly state-of-the-art.
Manufactured in Denmark, Lyngdorf has established a reputation for quality and innovation. They're also known for their partnership with Steinway & Sons, resulting in the Steinway Lyngdorf audio system. While the Steinway line is a closed ecosystem, the Lyngdorf line allows for more flexibility, enabling consumers to mix and match components.
The MP-60 2.1, named after its HDMI version, is packed with cutting-edge features. It offers HDMI 2.1 compatibility for future 8k support, along with advanced features like Dynamic Lip Sync, QMS, VRR, and ALLM. The processor supports HDR metadata passthrough for various formats and includes five HDMI 2.1 inputs and two outputs, one of which features eARC.
In terms of connectivity, the MP-60 2.1 offers a wide array of input and output options. It includes multiple digital inputs, 16 XLR analog outputs, and provides optional expansion modules for additional connectivity. Two standout features of the MP-60 2.1 are RoomPerfect, Lyngdorf's proprietary room correction system, and a built-in media player supporting various streaming services and protocols.
The MP-60 2.1's internals are a testament to Lyngdorf's commitment to quality. At its core is a custom four-layer PCB designed for optimal signal flow and low noise. The processor employs high-quality DACs from Analog Devices and features a custom-designed switch mode power supply. Notably, the MP-60 2.1 uses passive cooling for silent operation, a feature that will be appreciated in quiet listening environments.
Setting up the MP-60 2.1 involves a few key steps. After physical installation and connection, users need to configure the speakers via the user interface or web portal. The final step is the RoomPerfect calibration, which takes approximately 1.5 hours but is crucial for optimizing the system's performance in your specific listening environment.
The MP-60 2.1 shines in both music and movie playback. It creates an enveloping soundstage with excellent depth and clarity, delivering an extended dynamic range with silky highs and a natural midrange. Bass reproduction is powerful and well-controlled, while dialogue remains clear and intelligible even in complex audio mixes. The processor demonstrates impressive handling of complex immersive audio tracks, truly showcasing its capabilities in high-end home theater setups.
While excellent overall, the MP-60 2.1 does have a few minor drawbacks. These include a lack of analog inputs, which may be an issue for some users with legacy equipment. There's also no WiFi connectivity, requiring a wired connection for network features. Lastly, the remote control lacks backlighting, which could be inconvenient in darkened theater rooms.
The MP-60 2.1 competes in the realm of high-end processors, going up against models like the Trinnov Altitude 16 ($19,500), McIntosh MX 180 ($17,000), and Anthem AVM 90 ($7,499). Each of these has its own strengths, but the Lyngdorf holds its own in this elite company, offering a compelling mix of features, performance, and value.
The Trinnov Altitude 16, while more expensive, is known for its advanced room optimization capabilities and is very capable. The McIntosh MX 180 offers similar features to the Lyngdorf and may appeal to those drawn to the iconic McIntosh aesthetic. The Anthem AVM 90, while more affordable, is a newer entrant to this tier and its performance in comparison to the Lyngdorf is yet to be fully established.
The Lyngdorf MP-60 2.1 stands as a testament to what's possible in high-end home audio processing. It impresses on multiple fronts, from its cutting-edge technical specifications to its exceptional audio performance. The inclusion of HDMI 2.1 and support for 8K video ensures that this processor is future-proofed, making it a sound investment for those building or upgrading a high-end home theater system.
One of the standout features of the MP-60 2.1 is undoubtedly the RoomPerfect calibration system. This proprietary technology sets Lyngdorf apart from many competitors, offering a sophisticated yet user-friendly approach to room correction. The result is a system that can adapt to a wide variety of listening environments, ensuring optimal performance regardless of room acoustics.
The processor's performance with both music and movies is exemplary. Its ability to create an enveloping soundstage with precise imaging, coupled with its handling of complex audio mixes, makes it equally adept at reproducing a delicate jazz trio or the most bombastic action movie soundtrack. The clear, intelligible dialogue reproduction is particularly noteworthy, addressing a common complaint in many home theater setups.
While the MP-60 2.1 does have a few minor drawbacks, such as the lack of analog inputs and WiFi connectivity, these are relatively minor concerns given its target market and use case. For most users investing in a processor at this level, these limitations are unlikely to be significant issues.
The price point of the MP-60 2.1, while certainly high, is justified by its performance and features. When compared to its closest competitors, it offers a compelling value proposition, especially considering its future-proof design and the inclusion of RoomPerfect technology.
In the final analysis, the Lyngdorf MP-60 2.1 is a top-tier AV processor that will satisfy the most discerning audiophiles and home theater enthusiasts. Its combination of cutting-edge technology, exceptional sound quality, and thoughtful design make it a standout choice in the high-end AV processor market. For those who demand the very best in home audio and are willing to invest in achieving it, the Lyngdorf MP-60 2.1 comes highly recommended. It's not just a processor; it's an audio experience that can transform your home entertainment setup into something truly extraordinary.
Lyngdorf Audio products are at the higher end of the audio food chain, and their top of the line audiovisual surround sound processor, the MP-60 2.1, with a retail price of $14,999, is no different. The MP-60 2.1 is a full-featured 16 discrete channel immersive surround sound processor with the latest HDMI 2.1 feature set and connectivity, making it 8k-ready and state-of-the-art. It is worth mentioning that Lyngdorf has a reputation for offering an upgrade path to its prior units when a new model is released, creating loyalty within its current customer base.
As you may know, Lyngdorf, manufactured in Denmark, also created the Steinway Lyngdorf audio system, a partnership between Steinway & Sons, the piano manufacturer, and Lyngdorf. While the Steinway & Sons Lyngdorf product line is a closed ecosystem, the Lyngdorf product line is more traditional since consumers can combine components of their choice with other Lyngdorf or competing manufacturers.
The MP-60 2.1, named after the most up to date HDMI version: HDMI 2.1, includes future 8k compatibility when that time should come, but other HDMI 2.1 features include Dynamic Lip Sync, QMS (Quick Media Switching), 40 Gbps FRL (Fixed Rate Link), 18 Gbps TMDS video rates (transmission minimized differential signaling), VRR (Variable Refresh Rate), Quick Frame Transport also known as Fast Vactive, ALLM (Auto Low Latency Mode), and HDR (High Dynamic Range) metadata passthrough for HDR, HDR10+, and Dolby Vision and HLG.
The MP-60 2.1 includes five HDMI 2.1 inputs and two HDMI 2.1 outputs, one with eARC on the HDMI "1" output. So, we can count this output as input if I use the streaming device on my Smart Television. The 2.1 version of HDMI includes HDCP 2.3, which supports 8k RGB/YCbCR4:4:4 10-bit video, 8k60 YCbCr 4:2:0 10-bit high-definition video. There is one AES/EBU (110 Ohm) S/P DIF input (192kHz/24bit), three S/P-DIF coaxial inputs operating (192kHz/24bit), four S/P-DIF optical inputs (96Hz/24bit), one USB audio input (192kHz/32bit), and lastly, one XLR microphone input for RoomPerfect.
On the back of the MP-60 2.1, you will notice three covered slots where additional modules can be added, such as the DCI-compliant digital AES/EBU input module for movie servers supporting up to 32-bit 192kHz processing. Another option is a 16-channel digital AES3, also known as AES/EBU fully balanced digital output module with a DB25 connector, 24-bit with selectable 48kHz or 96kHz processing, that can be used to work with active speakers with a digital input such as the Meridian brand of digital speakers and their 271 Digital Theater Controller. Since Meridian discontinued its surround sound processor line several years back, the MP60 2.1 is an excellent opportunity for their customer base. Additionally, the AES3 module can be used in conjunction with the Lyngdorf SDA-2400 digital amplifier with its digital input. Lastly, there is a 16-channel AES67 module for professional use, for digital input/output for Audio over Ethernet (AoE) that supports up to 32-bit and 192kHz processing, with 24-bit 48kHz output.
Audio outputs include 16 XLR analog outputs and one SPDIF coax digital zone output operating at a fixed 96kHz/24bit.
Frequency response is +- 1dB 20 to 20,000 Hz with a reported total harmonic distortion of .005%.
An additional feature is the inclusion of a media player (streamer). Connectivity includes Internet Radio, Airplay 2, Spotify Connect, Tidal Connect with Dolby Atmos Music, Roon Ready certification, and DLNA support for media storage.
As with all versions of this processor, Lyngdorf uses its proprietary room correction system, RoomPerfect, one of the premier technologies that set this processor apart from its competitors. Separate from RoomPerfect are a subwoofer level assistant and an equalization system. For each source input, there are 32 different voicings, allowing you to choose up to eight filter sections, and five filter designs of high/low pass/shelf or parametric filters with adjustable gain and Q (width of the frequency range). This translates to a tremendous amount of control for experimentation within your environment. For this review, I kept everything neutral.
Internally, the MP-60 2.1 is no slouch. An essential part of the design is a custom and elaborate four-layer printed main circuit board (PCB), fostering low impedance and low noise with superior signal flow and grounding. Additionally, small aluminum blocks near the input and output connectors in the PCB meet the back panel for structural integrity when connecting or removing cables. Quality selected electronic components, based on years of audio component design experience, with a focus on audio quality, within the 16 analog output stages contribute to the performance of the MP-60 2.1.
Each channel uses an Analog Devices DAC (digital-to-analog converter) selected for its audible sound characteristics, dynamic performance, and DC accuracy with a dynamic range of 123 dB, channel separation of 119 dB, and total harmonic distortion of 0.0005%.
A Lyngdorf exclusive designed, manufactured, and implemented switch mode power supply by one dedicated Lyngdorf engineer decouples the internal power supply from the mains and custom active filtering that blocks high bandwidth noise from entering the supply circuit while also preventing noise from reversing back into the mains grid as well as connected audio or video components.
Each MP-60 2.1 is carefully assembled at the Lyngdorf Factory in Skive, Denmark, where it endures a 24-hour burn-in and quality control check. Every input and output is tested and measured to perform within specifications.
The design is so efficient that it cools passively, without the use of fans, eliminating noise and thus lowering the noise floor in the delicate movie room environment.
The fit and finish of the MP-60 2.1 are stunning. It has a combination of gloss and matte black-on-black finishes, a solidly constructed case comprising individual panels bolted together, a white LED display, and the trademark Lyngdorf oversized volume wheel, which can blend in with its surroundings or be a conversation piece.
Lyngdorf includes a remote control that operates in either RF (radio frequency) or IR (infrared), a microphone, XLR cable, and a stand for RoomPerfect calibration.
The MP-60 2.1 was installed in my living room, which I use as a functional media space and a formal living room. The six-inch tall by eighteen-inch-wide chassis fit into my cabinet, which an outgoing Anthem AVM 60 resided.
Due to the formal nature of this room, a stealthy in-wall and in-ceiling speaker system is in place, providing seven ear-level and four-height channels. However, two floor-standing SVS SB 3000 subwoofers are nicely tucked away in the back corners of the room on each side of the seating area. Focal's architectural speaker model 300IWLCR6 provided front left, right, and center channels, while their 100 series supported the surround, surround back, and ceiling channels, creating a 7.1.4 immersive surround speaker system. While the MP-60 2.1 can support six Dolby Atmos ceiling channels, my room utilized only four, but I have no fear as this setup will still provide a practical evaluation. You can read the review of the Focal in-wall speaker system for a more detailed description of this speaker setup.
A Krell Theater 7 amplifier powers the seven ear-level front main and surround speakers, while a NAD M27 amplifier powers the height channels.
Sources for this system are an Oppo UDP 205 4K Blu-Ray player and an Apple TV 4K.
The system utilizes various WireWorld series cables: Electra power conditioning, Eclipse 8 for balanced XLR audio interconnects, and Platinum Starlight HDMI cables.
RoomPerfect calibration using the guided user interface and the Lyngdorf web portal was straightforward as I used both access points. For the web portal to function, the MP-60 2.1 must be discoverable on your network, necessitating a hardwired internet connection since WIFI is not available on the processor. In the speaker setup menu, the user or installer identifies each speaker within the room. Speaker distances are manually measured and entered. To simplify this process, I recommend utilizing a laser measuring device, which facilitates easy measurement from the central listening location, especially for ceiling speakers.
While my setup included 12 channels for a 7.1.4 system: seven ear-level speakers, four Atmos speakers, and two subwoofers sharing one LFE output, four channels remained available for other locations within some limitations. One potential layout would be a 7.3.6 configuration. Additionally, there are up to five different individual LFE configurations.
Performing the RoomPerfect calibration is simple but time consuming. The process took approximately an hour and a half. During that time, the processor measures a series of test tones through the audio system's speakers and measures at multiple locations with the included calibrated microphone. Thankfully, the MP-60 2.1 saves the measurements to a removable memory card on the rear panel. If the processor should need servicing, the memory card can be removed and reinstalled upon its return.
RoomPerfect listens to how the room affects the sound from your speakers. The microphone is moved around your room until the MP-60 2.1 achieves 90 percent room confidence. However, I pushed further and attained 95 percent. What makes Lyngdorf's system unique is that it does not modify the sound characteristics of your speakers to match a preconceived frequency target curve but instead smooths out the characteristics of your room, leaving your speakers to sound as intended. As the name would imply, RoomPerfect is a room correction system instead of an equalization system. However, as I described earlier, independent of RoomPerfect, equalization is available to a large degree.
While home theater functionality is essential for me, two-channel music is also a priority. I started with a favorite music track by Tracy Chapman. I used the Apple TV 4k as my streaming device from Tidal's music service and settled on the track "Give Me One Reason" from Tracy Chapman's New Beginning album. I recently auditioned this track through a different system in another room, using the Pass Labs XP-12 preamplifier and the Anthem AVM 60 processor in my living/media room, which allowed me to compare all three systems.
With the room correction bypassed, it is easy to accomplish on the remote by cycling through three options – Bypass, Global, and Focus. Global and Focus have RoomPerfect engaged. Global is selected for a broader presentation for several listeners in a more expansive seating arrangement, while Focus only considers the sweet spot seated center position. The Lyngdorf exhibited an enveloping sound stage with excellent depth and clarity to create a believable performance equal to the Pass Labs XP-12. Compared to the outgoing AVM60 processor, overall detail showed a noticeable step up, as if the MP-60 2.1 lifted a haze. The dynamic range was extended, exhibiting silky high-frequency guitar strings and a beautiful midrange that projected and hovered within the room. A more prominent and distinct amount of bass was easily noticeable compared to the Anthem AVM 60. The subwoofers were in full force, possibly overdone, but still enjoyable. Tracy's voice had a smoother and more natural texture with detail, making it easy to hear subtle inflections with just the right amount of forwardness compared to the AVM 60.
Moving on to other tracks, the MP-60 2.1 is, first and foremost, a high end preamplifier, which consumers overlook when shopping for an AV processor. It is easy to focus on the number of channels, surround sound formats, and HDMI compatibility, which are all important. However, the overall quality of the preamplifier will dictate its ultimate performance. As I mentioned, I was coming off a listening session with the Pass Labs XP-12 preamplifier on this same track. I did not hear any deficiency or miss any quality when listening to the MP-60 2.1, which is a huge compliment: the quality and clarity of the preamp were abundantly apparent. When RoomPerfect was engaged, the bass tightened dramatically, eliminating room resonances. Another notable characteristic is the dramatic audio range from normal listening levels of dialogue to thunderous packed low frequency effects. For example, as I moved to movies, in the Netflix series Agents of Shield, the agents travel on a large aircraft fitted with adjustable jet engines, much like a Harrier Jump Jet, that allow their plane to land and depart without a runway. When it does, my room injects a fantastic level of bass into my body with no resonation of windows or from the nearby fireplace glass doors, which was the case before RoomPerfect. However, Agents of Shield is not an Atmos soundtrack. For that, I had to resort to my current favorite streamed movie soundtrack, Six Underground. The beginning car chase scene never gets old. With cars flying overhead and drifting tight corners, my room becomes the center of Florence, Italy, making you forget you are in an immersive surround system, if only for a little while. The dialogue was more transparent and more intelligible than the outgoing processor. At the same time, with the realistic nature of gunfire and cars racing, chasing, and crashing, the MP-60 2.1 demonstrated its ability to handle complicated immersive audio tracks in upscale quality.
The lack of analog inputs may be a concern for all the Renaissance audiophiles with turntables. However, workarounds, including analog to digital converters, are available at various price points.
The lack of WiFi connectivity is inconvenient. Still, a wired internet connection should be a priority for everyone. However, a WiFi extender or bridge with an ethernet output is an easy workaround.
While I like the remote's RF (radio frequency) functionality instead of IR (infrared) functionality, it lacks backlighting, which is helpful in dark movie room settings. Many consumers will implement an alternative control setup, making this a moot point. However, an alternative is the free Lyngdorf remote App, which turns your Smartphone into a lighted control. I used my iPhone to control the Lyngdorf MP60 2.1 regularly in my dark environment, and it worked well.
Lastly, the MP60 2.1 line-level outputs are balanced, which is excellent but inconvenient if the appropriate XLR cables are not on hand. In my case, I had a single ended RCA subwoofer cable internally pre-run within my walls to the opposite side of the room. An XLR to RCA connector quickly solved the challenge.
Ultimately, I solved any criticism, making the Lyngdorf MP-60 2.1 a high-functioning processor.
Limiting comparisons to processors with 16 channels or more, the Trinnov Altitude 16 comes to mind. Priced at $19,500, it is a significantly more expensive product. It does not include the equipment to implement their Room Optimizer application. Based on conversations with experienced installers, most can optimize the processor up to about 80 percent of its potential. A highly trained and costly integrator can achieve superior levels of room correction, albeit at a cost of several thousand dollars. Any modifications to the room necessitate a new calibration. The Altitude is a 16-channel processor expandable to 20 channels with an external DAC. Although I lack personal experience with the Altitude 16, I consider it a sophisticated processor tailored for spacious, dedicated home theaters.
The McIntosh MX 180 Surround Processor, with an MSRP of $17,000, is another relevant alternative mainly because it licenses Lyngdorf's RoomPerfect. It has all the connectivity you would expect. If you like the McIntosh look, this may be worth considering. Personally, the Lyngdorf suits my aesthetics and is at a lower price.
The Anthem AVM 90 is relatively new and is their top-of-the-line 19-channel AV processor with the HDMI 2.1 and HDCP 2.3 standard, with an MSRP of $7,499. Anthem employs their latest version of Anthem Room Correction, Genesis, which they call ARC in the AVM 90. Four of the 19 channels are dedicated to subwoofers, which means they cannot be used for other purposes like additional side surrounds or rear surrounds. At this point, I have no personal experience with the AVM 90, so I cannot comment on its performance.
The Lyngdorf MP-60 2.1 is an impressive surround sound processor that starts with a capable preamplifier focusing on high audio performance with a proprietary mainboard, power supply design, and part implementation. Compelling performance is noticeable immediately for both music and movies. The processor's discrete 16 channels, with functionality for six ceiling speaker configurations, accommodate elaborate home cinema applications. HDMI 2.1 and HDCP 2.3 connectivity make the MP-60 2.1 ready for the future of 8K while providing all the helpful functionality today. RoomPerfect calibration is super sophisticated and effectively removes room characteristics while allowing your speakers to sound as designed. Yet, it is consumer-friendly; anyone can make room corrections. Equalization capability is available with robust flexibility. The subwoofer setup is easy and thorough. Additional useful features included internet or processor-based configuration, the RF remote, and the Lyngdorf remote application. The MP-60 2.1 is the best AV Processor I have evaluated and reminds me that sometimes it is better to spend more than planned rather than less than you should: highly recommended.