Published On: March 25, 2019

What’s Holding Back Broadcast 4K?

Published On: March 25, 2019

What’s Holding Back Broadcast 4K?

If you own an Ultra HD (UHD) TV, the chances are you continue to be annoyed by the underwhelming volume of broadcast 4K content you can watch on it, regardless of what TV service provider you have. That's especially the...

If you own an Ultra HD (UHD) TV, the chances are you continue to be annoyed by the underwhelming volume of broadcast 4K content you can watch on it, regardless of what TV service provider you have. That’s especially the case if you subscribe to any cable TV service. The vast majority of U.S. TV service providers and TV network executives haven’t exactly been in any meaningful rush to shift from HD to UHD or 4K. Sadly, that’s not expected to significantly change anytime soon based on comments in recent months by various experts on the subject, including analysts, consumer electronics manufacturers, and TV network executives despite the post CES manufacturer buzz being all about the pending reality of 8K video monitors.

You can, of course, opt to upscale HD broadcast content to UHD on most 4K TVs. But scaling from 1080i or 720p, which is what most networks broadcast in, to 4K on many of today’s lower-priced yet very bright new 4K TVs results in an image that is nearly unwatchable. Better scaling in players, preamps, or receivers is a much better alternative if you want to cough up the extra bucks for that.

Satellite Providers Offer the Most in 4K Today

DirecTV_4K.jpgNot surprisingly, most of the small amount of satellite content that’s been broadcast in 4K so far has been sports. The best UHD option among TV service providers so far has been DirecTV. The now AT&T-owned satellite service offers more 4K than its rivals, including three channels dedicated to 4K content and some 4K pay-per-view also.

Dish, meanwhile, despite the “limited availability of 4K programming,” has been “making every effort to deliver” UHD content when possible, according to company spokeswoman Emma Brandeis. It’s been delivering 4K broadcasts on its designated 4K channel (540) “throughout the past couple years, like live college football, college basketball and MLB games” from Fox Sports, and 4K HDR broadcasts including the 2018 World Cup and NBCUniversal’s coverage of the 2018 Winter Olympics from PyeongChang, South Korea, she said. Dish satellite customers also can access on-demand 4K content from Epix, Smithsonian Channel, and TV Land, she noted, adding BBC America’s newest nature documentary, Dynasties, is available in 4K on demand through March 25 and 4K titles on the Sony Movie Channel will be available starting in March.

Verizon announced late last year that it started rolling out Fios TV One set-top boxes that offer “4K capability” and “full 4K UHD video quality” to subscribers of its fiber-optic service. The company currently offers only 4K video on demand, but expects to “expand our portfolio in the future,” a Verizon spokesman said Feb. 28.

As has widely been reported, cable TV service providers have generally offered the least amount of broadcast 4K content. For example, Spectrum is “not offering any 4K content at this time,” company spokeswoman Maureen Huff told me Feb. 27. Altice, meanwhile, didn’t respond to a request for comment.

Comcast, however, provided access to NBC’s on-demand 4K coverage of the Rio and PyeongChang Olympics, as well as Telemundo’s on-demand 4K coverage of the World Cup, a company spokeswoman pointed out. Via voice search using its Xfinity X1 TV set-top boxes, meanwhile, subscribers have been able to access 4K programming from streaming services including Amazon Prime, Netflix, and YouTube, she said.

The Networks Are at the Core of the Problem

Among the major networks, NBC Sports offered 4K coverage of the 2016 Summer Olympics from Rio de Janeiro, Brazil, and 2018 Winter Olympics that also featured High Dynamic Range (HDR). It also offered 4K HDR coverage of Notre Dame college football home games during the 2018 season, Mark Lazarus, chairman of the NBC Broadcasting & Sports division of Comcast, told me at the Sports Video Group (SVG) Summit in New York City in December. But NBC wasn’t exactly rushing to broadcast a larger percentage of broadcasts in 4K due to a variety of factors, including the UHD adoption rate at the multichannel video programming distribution and consumer levels, as well as the ongoing shift among broadcasters to the new, ATSC 3.0 next-generation TV broadcast standard, he said.

The_Masters_in_4K.jpgNBA basketball, meanwhile, has a partnership with DirecTV for a limited number of games in 4K with HDR, while The Masters (golf major) has been a leader in 4K, and a limited amount of NHL hockey has been broadcast in 4K. But other sports, including NFL football, have still largely been missing in action when it comes to 4K broadcasts.

CBS Sports reportedly used UHD cameras for this year’s Super Bowl, but only broadcast the game down-scaled to HD resolutions. CBS, which is also the parent company of Showtime, didn’t immediately respond to a request for comment about its 4K initiatives. Disney-owned ESPN, meanwhile, has 4K cameras and other UHD capabilities, but hasn’t broadcast any sports events in UHD yet. ABC, also owned by Disney, didn’t immediately respond to a request for comment. Nor did HBO, which is now owned by AT&T. But AT&T, Disney, and Fox executives rarely ever even discuss UHD on their companies’ earnings calls, focusing far more often on their mobile streaming initiatives.

Vincent Roberts, a now-retired executive vice president of global operations and chief technology officer at the Disney ABC Television Group, pointed out at a conference back in 2014 that his company had only recently converted some of its channels to HD and predicted the UHD rollout would take a while. TV service operators that had “adequate bandwidth will offer the first iteration” of 4K, but for ABC to “even contemplate a whole channel in 4K” was difficult at that time because there were simply “not enough eyeballs out there”–in other words, not enough subscribers–“to make a business case,” a published report quoted him saying. If a TV service operator offered Disney a decent per-month subscription “then it might be a different argument,” he said, adding: “We don’t feel that we as broadcasters should be subsidizing” the consumer electronics industry so that it could sell more TVs. Unfortunately, not a whole lot has changed for TV networks when it comes to 4K broadcasts.

Click over to page 2 for details on bandwidth issues, the wait for ATSC 3.0, and other existing barriers to broadcast 4K

The Remaining Sticking Points for Broadcast 4K Today
The continued “lack of UHD broadcast content in the U.S. is a mystery to me,” Chris Chinnock, owner of display market research company Insight Media and executive director of the new 8K Association, said Feb. 26. But he assumed it’s because broadcast networks and others in charge still “see a negative cost-benefit” situation to shifting over to UHD at this point. He added: “I keep hearing talk like 1080p HDR has more value than 4K or 4K HDR in terms of cost-benefit, yet that has not even been rolled out” either.

But, based on what NBC’s Lazarus and other network TV executives have said in just recent months, there really isn’t much mystery why we still don’t have much broadcast 4K yet. And Chinnock’s guess was basically right on the nose.

The main issues still come down to “economics and bandwidth,” Michael Fidler, president of the UHD Alliance (UHDA), told me at CES. Noting that broadcasters have tended to only use 4K so far for “marquee kind of events,” he said: “They think in a lot of cases and instances that 1080p is enough,” although “they love HDR [and] want HDR,” and even want High Frame Rate and “for the bigger events, they’re switching” to that.

Fidler’s take was pretty much in line with what NBC’s Lazarus told me in December and what Sinclair Broadcast Group CEO and President Chris Ripley told me at NAB Show New York in October, where he said he didn’t think 4K was a “big driver at the end of the day” because the improved picture it provided was “just an incremental benefit” over HD. Sinclair wasn’t doing anything with UHD at that point, he said, predicting it would be a long time before UHD became significant and “the future is 1080p HDR.”

What may ultimately push the TV networks and TV service providers to step up their UHD broadcast offerings and convince even cable TV service providers to offer their first live broadcast UHD is the same thing that’s usually led to them making changes to their offerings and business models in the past: “the competitive market environment,” Fidler said. After all, he noted, cable TV in particular is “losing subscribers, so in order to keep and retain, I think they have to have that value proposition” provided by UHD. He predicted that each broadcaster “ultimately will move into a 4K-delivered service,” calling that “inevitable” and predicting that “improving algorithms” will also eventually eliminate current bandwidth issues that present a barrier for more companies offering live broadcast 4K.

It’s not going to be the sort of major shift that the broadcast industry faced when shifting from standard definition to HD because many of the companies already have 4K cameras and “most of the infrastructure is built for” UHD already, Fidler noted. Live broadcast is “still challenging because you need mobile trucks to do all that” and there’s a lot of money involved in making the change there and they’re concerned with how they can make that money back, especially when it comes to broadcasting college games, when there may be over 100 sports events that need to be broadcast over just one weekend alone, he said.

The ATSC 3.0 Waiting Game
ATSC_3.jpgMore widespread 4K broadcasting in the U.S. is also going to come as more of the industry shifts to ATSC 3.0, according to Dan Schinasi, director of product planning for consumer electronics at the Samsung Electronics America division of UHDA member company Samsung. After all, ATSC 3.0 features increased bandwidth efficiency and supports 4K, unlike the current ATSC 1.0 (2.0 was planned but never deployed).

But Schinasi pointed to one major potential barrier to that happening: Unlike the digital transition, there’s no government requirement to switch over to ATSC 3.0. “It’s completely voluntary,” he noted. On the bright side, ATSC 3.0 was already launched by several networks as part of the Phoenix Model Market pilot project. TV groups and stations that participated included local Fox, PBS, Telemundo, and Univision stations. That test was classified as an “initial success” by the participating companies. Even better news was provided at the 2018 NAB Show New York, where executives from Fox Television Stations, NBC/Telemundo-owned stations, Univision, Tegna/Pearl TV, and Nexstar Media Group/Spectrum announced a collaborative effort and support for the introduction of ATSC 3.0. The companies said in a joint announcement that the new standard was “expected to be broadly launched by individual broadcasters beginning in 2020, concurrent with the anticipated introduction of consumer TV products equipped to receive ATSC 3.0.”

Noting that was “just one” group of major broadcasters, Schinasi predicted that, “by the end of 2021, there’ll be a fair amount” of U.S. TV broadcasters that will have 4K capability. But just because they have the capability doesn’t mean all those companies will actually broadcast 4K. “That’s yet to be seen,” Schinasi said.

One More Barrier
As if there weren’t already enough challenges facing broadcast 4K in the U.S., Schinasi also pointed to an additional one: The fact that a TV broadcast spectrum “repack” started in late 2018. As the National Association of Broadcasters (NAB) pointed out on its website, “as part of the broadcast spectrum incentive auction,” the Federal Communications Commission (FCC) is “authorized to repack the television band by assigning television stations to new channels”–a process NAB said “will pose significant challenges for the broadcast industry” and lead to almost 1,000 channels being moved.

“That’s kind of a big distraction for some of the broadcasters,” Schinasi noted. However, it’s a stumbling block that should be removed by the time ATSC 3.0 is more widely implemented in the U.S. in 2020.

In the meantime, sorry UHD TV owners, but you’re going to have to just manage with the minimal native broadcast 4K content available, along with upscaled HD content, the fairly large and growing (for now, anyway) number of UHD Blu-ray Discs, and–best of all–the wealth of titles available via streaming from Amazon Prime, Netflix, Vudu, and other such providers. If you are a streamer and/or a cord cutter, a $50-$60 Amazon Fire TV or Roku 4K device, or a smart TV with a few subscriptions, will give you much better access to 4K content.

Subscribe To Home Theater Review

You'll automatically be entered in the HTR Sweepstakes, and get the hottest audio deals directly in your inbox.
0 0 votes
Article Rating
Subscribe
Notify of
guest
21 Comments
Inline Feedbacks
View all comments
Jack Crashmaster Carmody

This is at least part of the reason millennials couldnt care less about cable.im about to upgrade my computer gear to 5k,with a few internet streaming options supporting the change.4k is already being left by the wayside and regular cable cant even get out of 1080p<s>

stanny1

The hardware is way forward of the software on 4K. A lot of the problem is due to limited bandwidth on cable and satellite. If you have 4k, it’s probably too compressed. OTA 4K would be great but broadcasters don’t want to invest the money necessary for OTA’s small audience. So I’ll keep my 1080 TV. It’s better for watching all those SD cable channels anyway. Be sure to see the You Tube Video “You Don’t See in 4K” by Knowing Better.

M Dunn

No way. A good 4K t.v upscales 480 definition to almost h.d. quality in 2-3 minutes. Besides Netflix which is 80% 4K Utube also has some 4K programming. It’s the difference between day & night.

stanny1

I really can’t tell the difference between my Blu-Ray discs and my OPPO player upscaling 480p DVDs. I can tell the difference between my Blu-Ray disc and my S-VHS tapes at 480 despite the attempt to upscale in my Sony 1080 TV. But I can’t imagine seeing 480 trying to be upscaled to 4K. That’s a lot of filled-in pixels.
In San Diego here, Cox is really resisting an upgrade to fiber-optic. And few 4K channels and tons of 480 channels. Even these are compressed like crazy.So 4K is not going to take off until we get the bandwidth. We could get 4K over the internet but still RG-6 is the problem. Lucky the people who live with Google fiber or FIOS. Please come to San Diego and give Cox some competition.

Jesse Skeen

Any advances in TV technology have been pointless ever since the networks started keeping their logos onscreen constantly. I would rather watch a clean picture in analog black and white than 4K with clutter all over it. Stations are always getting compressed more as well in order to fit in more standard-def subchannels, some of which show nothing but infomercials 24/7!

Frank

There’s not enough bandwidth in my area to support 4K streaming. And given it otherwise is mostly just sports (yawn), and pretty much the same 4K disc titles I already have on blu-ray, my cost benefit analysis is 1080p/24 will do me just fine for now. (Curious, but that’s about all.)

Mark T. Thompkins

And yet they are rushing out 8k. Brilliant

Jeff Berman

To be fair, it hasn’t exactly been a rush to bring out 8K TVs….. TV makers demonstrated 8K at CES for a few years before they actually shipped any of them. And waiting for TV service operators to provide the best and newest broadcast resolution possible has proven to be futile for years. If we waited for them to start broadcasting even 1080p HD, there still wouldn’t be any 1080p TVs on the market.

M Dunn

The broadcasters produce 1080p right now which you can view on antenna t.v. It looses some resolution and is compressed by cable or satellite dish. 1080p is broadcast on Fios fibre optic but they have limited viewing areas. Today’s higher end tv’s upscale resolution of all available broadcasts beyond 1080p right now.

Brandon Eberhart

Eh, not sure that argument holds at this point. HD/1080p tech was around for two decades (more, really, depending how you look at it) before being adopted. It wasn’t done without a lot of thought on all sides, including forming the Advisory Committee on Advanced Television Service, a government committee tasked with figuring out how to best adopt the tech in the US.

Now its a free-for-all, and mfrs just push out new tech as soon as its profitable for them, with no plan (or incentives) to help broadcasters adapt. It’s content creators/deliverers (studios and networks) on one side, and TV mfrs on the other, with neither thrilled with how the other is adopting/adapting to, new tech. To me, pushing out a tech when there is no content or infrastructure to support it is a perfect example of ‘rushing’ it, and incredibly shortsighted.

Also also… 4K is plenty! We’re good! Our human eyeballs are maxxed out-

harley

Why shouldn’t they? Broadcasters are at fault, there is no reason to gag manufacturer progress. In about a year I will be asking my cable company “where is my 8K programming” of course, they will have no idea what that is, many still think 4K is produced by the TV, or do not even know what it is. It will take an act of Congress to fix this, ain’t gonna happen.

Brandon Eberhart

“They shouldn’t” because it makes zero business sense right now. Your own claim that “many” don’t know much about 4K is just supporting the fact that broadcasters have little incentive to jump to 4K everything.

MarkinArl

HDR is more important. 25 years ago I was working in prepress where we used 10bit/color as did my Mac Quadra’s video card outputting to an analog CRT monitor. Fixed the problem of color banding. The world regressed to 8-bit and is slowly adopting more 10 bit HDR at a high premium. Well, much is due to the superior dynamic range of CRTs, now just getting available in panels. HDR still remains harder to explain/sell than 4k or 8k.

Not much incentive for broadcasters to go 4k. Broadcast networks may do it for their (paid) streaming services with premium content, but locals don’t have enough original content worth 4k. It would take local advertisers with 4k ads to pressure broadcasters and I don’t find 4k car, furniture, and lawyer ads any more compelling than 1080i/720p. Late night commercials are still often SD.

chuckdaly

I agree that HDR is visually more important. Its also easier to create content for and to transmit. I disagree that HDR is a tougher sell than 4k. 4K TVs were simply easier to manufacture than TVs that could display a 700 nit APL.

MarkinArl

What matters much more to me are shadow details which always get crushed. It’s what I focus on when evaluating photos or video, and gives away processing trying to appear to have more contrast. Highlight details, not so interesting.

chuckdaly

The Imaging Science Foundation, use to constantly state that viewers perceived greater dynamic range (Contrast ratio) as the easiest improvement to pick out amongst multiple displays. The hierarchy I believe was Contrast, Color fidelity, Image Brightness, then Resolution.

Brandon Eberhart

“…it’s because broadcast networks and others in charge still “see a negative cost-benefit” situation to shifting over to UHD at this point..”

Aaaaaaand that’s it. Going 4K (much less 8K) will not garner many more viewers, and will cost a fortune in new equipment, and daily operating costs. There is no benefit, and that’s a-ok with me. Because…

I’d rather *theatrical* releases be standardized to 4K, with actual theatres following suit with 4K projection. We’re still watching 1080p video projectors in most theatres these days.

TVs at 4K offer little benefit from the increased resolution, but in a theatre on a 50′ screen, there’s a whole lot of room for improvement from 1080p.

I’m getting sick of having to figure out which theatres, and which screens in them, are in 4K. Thank god for Dolby Cinema.

M Dunn

Don’t agree. If you have a 4K t.v. which is 80 % of the sets sold today there is a huge difference between 720p or 1080I and 4K resolution. The broadcasters need to get with it. Quit spending your money on those expensive stinky germ ridden movie houses and get a better video audio set up.

Brandon Eberhart

Don’t agree with what? The whole point of this article is that they’ve been pushing 4K TVs in retail, but there’s very little content. Nobody is arguing about that 4K isn’t a jump in resolution, because it’s obviously that. But in a livingroom setup you won’t notice it much unless you sit 5′ from your TV.

Broadcasters aren’t going to ‘get with it’ if its not worth the costs. Again, read the article.

And it doesn’t sound like you’ve been to Dolby Cinema. It’s better than my setup, your setup, Kayne’s West’s setup, and everyone else’s.

jerrydel

I will watch The Masters in 4K.

Golf would be a good demographic to roll this out with. Hockey too.

pw lane

For DTV “broadcast” 4K you need to buy another box that’s $499..
No wonder streaming 4K is the way to go..
Look for Fubo to bring College Football streaming in 4K very soon..

© JRW Publishing Company, 2020
magnifiercross
linkedin facebook pinterest youtube rss twitter instagram facebook-blank rss-blank linkedin-blank pinterest youtube twitter instagram